If there's a voice in my head that tells me "You're awful! Your ideas are cliche! Your characters are bland!" Well, then it sounds like this dude knows his stuff. So I've found a useful thing to do is to literally give him the pen.
Now of course, if you read any self-help-guru-new-age thingy on inner critics, or if you're in therapy, of course, you're not meant to believe your inner-critic is better than you, that would be pretty suicidal, literally. But for this exercise, go with me. Your critic is a persistent know-it-all who thinks he's better than you.
The film is about first love. Unrequited love. It's about a young boy called Renato (Giuseppe Sulfaro), who, like every man in his town, falls in love with the beautiful Malena (Monica Bellucci). What we soon realize is that the other men don't love her, they just want her. The men of the town want to have sex with her, and the women of the town spread vicious rumors about her. The only person who takes the time to get to know her and believe in her is Renato.
Renato and Malèna don't say a word to each other in the entire film - and that's what's so beautiful about it. It masterfully shows what it is to be a 14 year old who doesn't exist to the opposite sex - it shows the pain, the longing, the hope and the sad beauty of it. At the same time; there are far deeper and more painful things going on with Malena - whose husband died at war, whose Father disowned her and whose town was against her and eventually forced her out. I haven't followed much of Monica Bellucci's film work since; I find her Italian films hard to track down and her Hollywood efforts aren't the type of films I actively seek to watch -- but in this film, she is incredible. Sure, she's stunning to look at, but far and beyond that - she spends most of the film in silence, and her grace, elegance, heartbreak and sorrow are handled with subtlety and beauty in a way rarely seen since the silent era. Monica Bellucci, based on this performance, is extremely talented.
'Malèna' is written & directed by Giuseppe Tornatore who, along with Wilder, Chaplin and Woody Allen-- is amongst my favorite writer/directors. His work always speaks to me in a way that no other director really can. His films speak to my heart, to my hopes, to my dreams, to my ideals. I felt the inner-editor in me cringe as I wrote 'speaks to my heart' but then, if I can't speak about what speaks to my heart, then really, what's the point in living? A lot of people criticise his work as being too sentimental, too heart-warming. I'm not the type of person who can really take those words as a criticism. It works for me. He dares to have characters that are innocent, that are naive, that do good. There is a magic in 'Malèna' and 'Cinema Paradiso' that I've not found in the works of any other writer/director. Another thing about 'Malèna' is how outstandingly, outrageously, achingly beautiful it looks. Okay, it probably helps that they had Sicily as a location - but Lajos Koltai, the DP, deserves credit for the cinematography - I'd happily watch this film without sound just to take in the visuals.
The attention to detail in Tornatore's films is what really sets his work apart from others. Everything fits together so perfectly. The core of the crew have done a lot of films together; and it shows. The editing is absolutely perfect (Massimo Quaglia cut two of Tornatore's previous films and has continued to be his editor since) - and the film was also scored, as all of the Director's films are, by Ennio Morricone. Morricone's composing is perfect in everything he does, he's one of the all time greats - but to me, he feels most at home when working with Tornatore. The music in 'Malèna' is possibly my favorite film score -- and even tonight, when deciding to stay up and watch the film, part of the reason was that I really wanted to hear the music.
'Malèna' is about as wonderful as cinema can be. If you've ever found your filmic sensibilities to be similar to mine - then please consider my recommendation. That being: buy this film.
How about you?
I desperately want to see it and was hoping that by posting it here; through luck, or coincidence or cosmic force, someone would pass by who knows how I could get a copy. If you have any ideas, please be in touch. If this works out, I'll start asking for other things, like three picture deals with DreamWorks.
production. I did not know any DPs and I had never worked on film as all my shorts were on video. I wish I had had an ally who knew all the technical ins and outs. I wish I had worked with someone incredibly talented. I wish that I had a DP who I had worked with for years who I knew very well, and trusted.
4. What is the one part of the film that makes you think "wow, I really nailed that!"
Hank Moody (David Duchovny), much to the dismay of his on/off girlfriend and soulmate Karen, has impregnated another woman. When it finally comes to her giving birth, Moody and Karen are there when this hilarious moment happened. Great TV!I think we all have this destructive and lazy side to us. The worst part is the guilt you feel afterwards (towards others if you let them down, or to yourself if you pass up an opportunity.)
The fact is -- the most successful people in the world can always find the time. To be 'too busy' is, in my experience, a sign of bad organization, a sign of laziness, a lack of professionalism and a lack of self-discipline.
I have been that guy many, many times. One of my favorite writer/directors agreed to do an interview for this blog. I stalled on setting up the call for six months. That's not cool. I can't be doing that anymore. When we complain about how our careers aren't going right, or how we're not getting the right opportunities, we rarely mention that "oh, yeah, a Producer is interested in hiring me for a big project and said I should call him - but I haven't and fourteen months have gone by."
I think it's about discipline. I now make myself sit down and read, I make myself do paperwork, I make myself do whatever it is I need to do to get the things I am doing done (wow that was a mouthful).
"Decisions are made by those who show up."
-Aaron Sorkin
Her knee kept sneaking into the bottom of the frame, what the fuck? Does she not know I'm trying to watch? She mistook my searching for the remote as me trying to snuggle, which was fine, as we moved swiftly onto that 'touching each other' stage, which allowed me to gently push her knee downwards so I could actually see the film. Jeez. Wow, Jimmy Stewart is really something..jpg)
Upon landing he gets in a little Hilton Hotel travel bus which takes him to a Hilton Hotel where everyone knows him because he's a regular at the Hilton, probably because the staff are so lovely.
He gets in his Hertz rental car and drives to the airport where they only have American Airlines planes. By this point, the plot is thickening, as he wants to go and sleep with a woman who is waiting in a Hilton Hotel somewhere across the country.
The film ends with George Clooney boarding an American Airlines flight, after someone shouts "You forgot your Hertz Gold Card!" as he leaves a Hilton hotel whilst Tom Hanks delivers the Fedex package.
