We are a wonderful, brilliant and exciting company with a slate of commercials, films and TV shows in production.
We are looking for a young, enthusiastic, dynamic youth to do all of our work for us, especially the really annoying stuff like moving things into other rooms and labelling boxes and making our coffee and getting our lunches and delivering things across town. This is a really great chance if you want to get into movies but an even better chance if you want to get into moving boxes.
Unfortunately, as this is the entertainment industry, we are unable to pay. But don't worry, everyone started there once, so it's okay. Oh and for those of you going on about 'Minimum Wage' we don't need to pay anyone because we just used the word intern. You will be an intern. This will give you great experience in internment.
I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
Tuesday, 9 February 2010
Monday, 8 February 2010
Finding People That Get You.
"..and some of the people that you meet on the road are really amazing people. Like you."
-Russell Hammond, 'Almost Famous'
Occasionally someone just gets it. It's the most magical thing. You might be working at it for ten years before you find one, but when you do, it makes everything worthwhile.
I met this guy last year who auditioned for two scenes in a film I did. I cast him, we shot it in one day, and we met up again a few weeks later to hang out. I haven't seen him since - we're in different continents, but he's one of them. One of those rare finds -- someone who just gets what I'm doing, and supports it, and believes in it. When he praises something I've done, well -- not much in the world feels better, or more right.
I was casting someone in the role of a war hero, this must have been five years ago. The guy I cast - his daughter saw the advert and contacted me for him. He was great in the film - but it was the daughter who went on to act in three of my recent films and eventually be my Assistant Director. Actors don't generally become AD's, but she's one of them. I can think of no better person to be on set with. She's a giant ball of positivity. We could be shooting a film where someone steals our kit and murders the cast. She would take a moment, think it through, and get everything back on schedule without moaning or complaining once.
There was this girl who came over from New Zealand, landed in London - and did one audition. It was for a short film I was doing. Her audition was great, she was perfect, but I didn't cast her. But she definitely had it. I've helped her a bunch of times with her career and she's helped me even more times. We're countries apart, but we are always involved in each others careers and lives. I cast her in a project last year. I barely had to say a word when directing her, she just got it. Because she get's me. I have this painting (which she bought for me) above the door in my room which reminds me of who she is and where she is anytime I look up.
And there's this guy in the middle of America who I've never met - he's a musician. But fuck, he GETS me. He gets my work, he gets my struggles; he's a mentor and an elder without even knowing it. He's got more class as a musician than anyone in the charts today. When we have a gripe, a complaint, a joke, a problem, a song--- whatever it is we have, we email each other. If I'm scared because I haven't written a script in a year, I email him, he tells me what to do. If I'm so excited because I've written four scripts in three months; I tell him, he understands. He's like a Brother.
We stood side by side each one fightin' for the other,
We said until we died we'd always be blood brothers
-Bruce Springsteen - 'Blood Brothers'
There's this girl in New York City who came to the neighborhood I was staying in, on the morning I was leaving, just to see me before I left. We sat down and made goals for the year-- confident we're much more likely to achieve them with the support of each other in our lives. She has this amazing, spontaneous, electric energy-- it's unlike anything I've ever known. It pops up in random ten word emails, in instant messages I find when I've left my laptop on, in Facebook wall messages linking to a video she thinks will inspire me. She's like some angel sent down to help me along the road. She's got it. Loads of it.
There's an actress I know who's moving to L.A. It's not that I'd necessarily say we're that close, it's just that--- I really believe in her. I believe in her talent, in her ambition, in how she approaches what she does. She has got it. We were emailing back and forth recently, and at the bottom of one of her emails she'd written "P.S I believe in you." Wow. That was one of the greatest things I'd ever read. It occurred to me that everyone who's ever emailed me had the opportunity to write that, and hadn't. And in every email I'd written to people I believe in, I could have said that, but didn't. She believes in me.
They believe in me. They get me. They see beyond 'structure problems' in a script or 'weird lighting' in a scene; they Get It.
And that is the precise reason why, when I finish a draft of a script, it's them I send it to.
"I'll be there to comfort you
Build my world of dreams around you
I'm so glad that I found you
I'll be there with a love that's strong
I'll be your strength; I'll keep holdin' on"
-Jackson Five - 'I'll Be There'
Sunday, 7 February 2010
Charlotte Delbo Poem.
I beg you
Do something
Learn a dance step
Something to justify your existence
Something that gives you the right
To be dressed in your skin in your body hair
Learn to walk and to laugh
Because it would be too senseless
After all
For so many to have died
While you live
Doing nothing with your life.
-Charlotte Delbo, Holocaust Survivor.
Saturday, 6 February 2010
Friday, 5 February 2010
Building Awareness Around The Pressure To Succeed.
The society we live in isn't one that celebrates creativity. Most upcoming filmmakers and actors would love to be able to work on the projects that excite them, and just do whatever creatively drives them. That is what it would be to be truly creative. However, in modern Western society - we are success-oriented. The values of our friends, families and the people we come into contact with are based on achievement and succeeding.
Have you been in anything I would have seen? Are you a millionaire yet?
This is a giant pressure on the back of someone trying to make it in the arts. It's my theory that, anyone who hasn't 'made it' in the Spielberg-called-and-offered-you-a-million sense is rarely going to find time to relax. Ever.
You might sit down to watch a movie. But you only allow yourself to do it because it's helpful to your career. Even if you sit down for a glass of wine, your mind says Do you have any script ideas? Are you calling that producer tomorrow? Don't you need more money? What if Dad asks 'how is work?'
And you never really relax. Your body might, occasionally, be quite still - but you keep chugging away. When your body stops running around for the day, your mind keeps going.
I've also found that most people have a body symptom which represents this. Might be a nervous twitch, or a constant headache. It's something that says "hey, you're not taking care of yourself."
We all fight to make it in this industry. We work hard. And when we don't work, we're still on the go-- defending ourselves to people and plotting career paths.
Just yesterday, during a meal, I was telling my friends a funny story about when I went to the cinema with a friend the other day; and right in the middle of the story a guy who is one of my best friends stopped me and said "Hold on, you went to see a film in the middle of the day?". The meaning of course being, "hold on, I work 9-5 every day and work really hard and you just float around and work 1 hour a month?" -- The defences go up, you're under attack. You deal with it. And then you have a toothache, or a headache, or something-- some little part of you that holds in all the crap that just needs to be released and would be released if you would JUST RELAX.
In terms of success in our industry, and doing it healthily - I really think you need to prescribe some TRUE RELAXATION.
There is a collective pressure from everyone around you to live in the way society expects, to go out, earn your money, pay your bills. That is not quite how it works for people with the artistic sensibility.
You need to go to the cinema.
You need to spend a day scribbling.
You need to spend a day laying on your bed talking to yourself.
You need to sing out loud.
You must not feel guilty about these things.
PEOPLE AROUND YOU
What did you do today?
YOU
(comfortably)
I didn't do anything.
We need to be able to do that.
Rest does not need to be justified. If your girlfriend comes home from working in the supermarket and she's grumpy as hell because she worked eleven hours and the boss was horrible, that is sad, it's terrible and needs addressing - but it is not your fault. You are still allowed a day to watch movies.
Most people rest on a Sunday. You might rest on a Tuesday. It's fine.
Rest. Truly rest. Don't justify it. Don't explain it. Don't say "I've just been reading up on stuff and writing to people and applying for stuff." Feel that pressure but RISE ABOVE IT.
Breath. Lay Down. Take a break - you deserve it. You've not had a rest in five years.
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