Tuesday, 10 August 2010

Don't Tell Me You Don't Remember Me, Because I Sure As Heckfire Remember You

"Ned.. RYERSON. "Needlenose Ned"? "Ned the Head"? C'mon, buddy. Case Western High. Ned Ryerson; I did the whistling belly-button trick at the high school talent show? Bing! Ned Ryerson; got the shingles real bad senior year, almost didn't graduate? Bing, again. Ned Ryerson-- I dated your sister Mary Pat a couple times until you told me not to anymore? Well?"

What is your favorite 'Groundhog Day' quote?

Care to share?

ACTING COMPETITION - One Week Deadline!

Today marks the start of the KID IN THE FRONT ROW acting competition. All entries must be received by Tuesday 17th August 2010.

Here is the task:
  • The scene must be absolutely NO LONGER than one minute.
  • The theme of the competition is leaving.
  • Everything MUST take place in one single shot.
  • There must be at least two characters on screen.
Filming quality is not important. The script is not the most important thing, either. The most important thing is two characters, on screen, creating a moment, a scene; on the theme of leaving (you are open to interpret the theme in any way you wish.)

I was going to run this competition over a couple of months; but I realized that any actors who are serious about their craft, will easily be able to find a day, or a night, or one minute at 3am, to find a camera and shoot a scene.

To enter:
Upload your one minute scene to youtube, with Kid In The Front Row competition in the title, and email me the link:

I am looking for performances that feel real, that grab me, that I believe in, that show your talent and humanity. I will watch ALL the entries; and then I will shortlist FIVE FINALISTS.

I will then announce the name of the judge; who will be a professional industry actor. The judge will watch all five finalists and then choose a winner.

Good luck! Please pass this on to any actors you know, or any acting sites that might be interested.

THE DEADLINE IS TUESDAY 17th AUGUST, NO EXCEPTIONS!

Tip - Don't perform a monologue to the camera. Engage in a scene, a 'moment' with another actor.

"One really important character trait is confidence. So many actors lack it, but if you don't think you're good, why would you expect someone else to be taken with you? You have to believe in your own talent, and let that belief carry you through the avalanche of rejection that comes with pursuing a career in this field."

Care to share?

Monday, 9 August 2010

JB Glossinger - Interview With MORNING COACH Founder.

JB Glossinger, the founder of morningcoach.com, is an inspirational guy. He runs a podcast, every morning, which is all about giving people positivity, inspiration and ideas to go out into the day with. JB is the most dedicated person I know -- constantly working on new projects and helping people throughout the world. He never stops working and never stops improving himself and, in turn, helping other people turn their lives around and find focus. Although he doesn't work in film, I think his work is hugely relevant; which is why I interrupted his busy schedule and hurled some questions at him.

I'm always amazed by your commitment and perseverance. Dedication is a really difficult thing. How do you keep yourself focused?

By understanding that it doesn't happen overnight. I strive for 1% improvement a day. With that 1% daily goal, I gain clarity and am able to stay focused with a realistic goal. I also write a journal, which assists greatly in maintaining that clear mind.

A common thing with writers is, "I'm just waiting for the right idea," or for an actor, "I just need a bit more training," -- it's like we shelter ourselves for as long as we can from doing the actual work. What's that about?

Its a form of self sabotage. They are so comfortable in their world of lack, that they subconsciously hurt themselves by delaying actual hard work and staying safe in a fake comfort zone. Success is 99% perspiration and I can guarantee there is a less talented writer actually doing the work who will achieve greater results.

There is a big emphasis on having 'marketable' films or the right 'branding' as an actor. These things sit uncomfortably with me. It's a constant battle between trying to have integrity to my instincts and at the same time trying to survive in the industry. How should we facilitate these inner battles?

I would say trust your intuition and absolutely go with your instincts. If you are true to yourself, you will achieve the greatest level of success as you have retained your integrity and played to your strengths.

It's common for writers to have their best ideas when they're not expecting it, when they're busy doing other things, yet most of the time we're going crazy trying to force out ideas. Why is this? What can we do about it?

Because when we are not pushing, we are relaxed and as a result, our thoughts are pure and clear. Always carry a notebook or a journal.

A lot of actors, the minute they step into an audition, all their confidence and feelings of self worth go out of the window. Can you recommend anything for them to do prior to going into the room?

Conscious breathing and meditation. Take 5-10 minutes and practice deep, mindful breathing. Find a quiet place, sit comfortably and take long, deep breaths while mentally repeating a positive, powerful affirmation to yourself. For instance, "I am an amazing actor and I am a gift to the world."

You can find out more about MorningCoach by visiting the website here; and the podcast is also available through iTunes. You can also hear more from JB over at his blog.

Care to share?

Saturday, 7 August 2010

The Forgotten Cinema

I gave them a lot of good times over the years. I gave them laughs, I gave them tears, I gave them hope. When I first opened my doors, people would wear their best suits, they would save them for the cinema. People would come from all over to see me. They'd sit down in the comfortable chairs with hundreds of their closest friends and I would invite Jimmy Stewart and Ginger Rogers and Katharine Hepburn and many others over to tell them all stories. Reel after reel of wonderful stories, night after night.

I'd like to think I gave them hope, I'd make them dream. I'd take them on a brief encounter, I'd take them on the road to Bali, we'd visit Casablanca, get stories from Philadelphia and sometimes from as near as the shop around the corner.

As the years passed, it became less like an event and more like fun. It was hard to adapt but eventually I did. Popcorn was eaten, girls were kissed and sharks attacked. The new audience was younger, harder to please, and louder - but I loved them and they loved me. We went on a Space Odyssey, had Close Encounters and various other crimes & misdemeanors. Everyone knew me and everyone wanted to spend time with me. I always had a full house in the evenings, that's why I never got lonely and why everyone always had beaming smiles.

And then someone in the blackest suit I've ever seen said "why only show one film when you could show three?" He made plans to chop me up into three. Then he made plans to chop me up into seven. I stayed strong, no way; this is just me, on my own, with my friends.. my friends who have been with me since the beginning.

But then my friends started wanting more. More types of popcorn, more movies, bigger movies, bigger sound. I chased after my friends, trying to do what they wanted. Instead they got in their new cars and flew down the road to meet shiny new friends, who watched films on shiny new screens. Before I knew it, everyone had left me.

The nights were quiet. Occasionally old friends would visit. I tried taking them back to Casablanca, I tried giving them all the new pulp fiction but they didn't come anymore. Nobody wanted me.

And then more men in even darker suits came by and said maybe they would cut me up and reshape me and change who I am. They talked and talked and eventually they left and didn't come back anymore. Nobody came back anymore. I tried and I tried. I did everything I knew how to do -- I gave them funny people and gangsters and beautiful women and aliens, but nobody wanted my stories anymore.

I closed my doors, long before I wanted to. We locked up and bolted down. Nobody came by, nobody asked for me.

And now, some men with big smiling faces and tiny shiny devices they talk into have an idea about turning me into a supermarket or row of housing. I looked around one last time in the hope that someone would remember me. Maybe someone would rescue me. They didn't.

Stories were told, dreams were fed and life was lived, but that was a long, long time ago. The world has changed, as have the people.

Care to share?