Actor/Director MELANIE MAYRON Five Question Interview

MELANIE MAYRON is a Director and Emmy Award winning Actress ("thirtysomething" - Outstanding Supporting Actress in a Drama Series 1989.) Her latest directing project is MEAN GIRLS 2. With over thirty years of experience in the industry, on an incredibly diverse range of projects - a five question interview was never going to be enough. But that's what makes it fun! Enjoy!

If you could only act --OR-- only direct; for the rest of your life, which would you choose and why?

Oh God, that's a tough one. I mean, once an actor, always an actor, right? But when I direct I seem to act out all the roles in my head in order to figure out how the characters would move in a scene so I can determine where to put the camera and how to exactly set up a shot.

I find I use more of myself and my talents when I direct, so maybe I would say directing... but it's a tough call because I LOVE to act.

How is directing for film different to directing television?

Directing for film and television is pretty close to the same. I mean, staging scenes with a camera is the same. That said, television is smaller screen than the screen in the movie theatre so in television I would shoot tighter shots and use more close ups than a film... but in a film I would do really wide shots too, and just in general frame everything much wider, so you see more of where you are and you see more of the actor's bodies.  And use the close ups more sparingly. So when you are in close on an actor's face you are there because it is a moment when you really want to be close to them.

There are a lot of people who were really passionate about the first 'MEAN GIRLS,' do you think the sequel will please them or is it for a new, younger generation? 

The first Mean Girls was very sexy and a bit more risque than this story. This story however has a bigger and more universal theme behind it, which is about friendship and betrayal. That is the sort of thing that everyone can relate to on some level. And it is geared more for the teens and tweens as the casting was all actors from ABC Family, The Disney Channel and TeenNick shows... Although some of the stars are from 90210 and Desperate Housewives too.

The film industry is insanely difficult to be successful in-- do you think there are certain character traits that separate the successes from the failures?

No. None. It is a crapshoot whether you get anywhere here. There are just so many very gifted people that come to Hollywood to try to realize their dreams, that the reality is it is luck, karma, destiny, whatever you believe.  But you do have to be motivated. And passionate about what you want to do and say.

The ratio of men-to-women in Hollywood, especially in Directing, is still a giant gap. Do you see this changing? What can we do about it? 

I suppose so. I do see more women's names on projects and I always want to look them up and see who they are. Slowly it is changing, although it still seems like there are only a few women on directing rosters say, in the episodic television world. Certainly more women are directing film and that is wonderful to see. I think to change it would be probably if there were more women in executive positions at the studios that would be looking for more women to direct. That would be nice.

Mean Girls 2 was shot in July in Atlanta. It will air on ABC Family on Jan. 23rd and be released on DVD in February 2011.

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ONCE: Raise Your Hopeful Voice

"ONCE" gives us permission to do everything we want to do, and say everything we want to say. It was shot on a camera that is below the accepted industry standards. It starred people who'd never acted before. The lighting was terrible. It was about an Irish guy and a Czech girl singing acoustic singer/songwriter songs. It was only 83 minutes long. It didn't have any major drama, or twists, or explosions. It didn't have that cool-indie-film-vibe. 

"ONCE" didn't have a deceptive trailer, it didn't have an A-list cameo, it didn't have a twist ending, it didn't have a clever marketing campaign, it didn't have a dedicated social media team, the director didn't claim to be the "next" anyone or anything.

THE FILM HAD HEART. That's what it had and it's what it has. It's a film that people love and adore and need. It's a film that people watch when they're all alone at 3am. It's a film they watch with the family on a Tuesday night. It's a film they watched tucked up in bed with their lovers on a cold Sunday evening. It reaches everyone. It reached Steven Fucking Spielberg. All because it has heart. It has heart over everything. The camera shakes a bit? The heart is more important. The music isn't as catchy as a well-constructed soundtrack? It has heart. It got an Academy Award because of that heart. 

"ONCE" is proof that we can do it, we can make the movies we need to make and say what we need to say. We can make obscure movies about musicians in Ireland. Of course, we gotta know what we're doing. People with heart make bad movies all the time; but they also make good ones. This movie proves that if we make something astoundingly great, that's enough. It sounds obvious but - we get too caught up in all the junk; thinking about making things that are 'marketable' or 'original' or 'surprising' -- we get further and further from writing and making "ONCE". We become a confused mix of a director like Crowe making "ELIZABETHTOWN" when really if we follow our hearts we can be Crowe making "SAY ANYTHING."

"ONCE" is magic. It really is. The songs are so meaningful, the look in Marketa's eye is so beautiful and the tone of Glen's voice is beyond soulful. And it carries you away into its world for 83 minutes and it has nothing to do with what anyone is taught in film school, or has drilled into them by producers - it's the work of heart, and soul, and hard work, and experimentation and simple honesty. Simple honesty - what a thing. So rare. But what a wonderful thing. How can we get more of that into our work? We can watch "ONCE" a million times. Look at that moment in the film on 15mins 35seconds; the two characters share a look; I don't know whether it was improvised or directed or an accident. Whatever it was, it says everything. It says wow we sound amazing, and it says wow I'm falling in love with you and it says wow, this movie is gonna be awesome! It's the most honest look in the history of cinema and it came in a split second in a little Irish movie that almost nobody ever heard of but in the end the world heard of because it was so honest, inspiring, and unique.

If you want to write a 'hot' script, or you want to impress Hollywood; that's great! I'm excited for you and I would love to see your movie when it's done. But this is about the people who have it in their hearts to tell something simple and small. Because, actually, there aren't a lot of books or blogs or anything that support that. It hasn't been modelled for us enough. And of course, when it is; sometimes the movies are so small we hardly know about them. But "ONCE" exists. It's there. It inspired people the world over, it touched people, and yeah; it made money. It happened because a writer/director and a small crew and a dedicated producer and a wonderful cast made it happen, and they believed in it. They did the night shoots, they worked for little pay and they believed in something they couldn't quite see. It exists. For those of you who have projects in you that are like this; don't hide from them, don't bury them, don't believe there isn't a place for them. The world wants and needs these movies. 


If you haven't already; you can read my interview with "ONCE" Producer MARTINA NILAND right here. 

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JIMMY STEWART in HARVEY

"At first Dr Chumley seemed a little frightened of Harvey, but that gave way to admiration as the evening wore on.

The evening wore on. That's a very nice expression isn't it. With your permission I'll say it again.

The evening wore on."

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This too shall pass

It's such a strange feeling when you experience something meaningful, with people outside of your normal experiences - and you know you'll never experience them in the same way again.

I was in Amsterdam in September, and found myself sitting in a cafe, watching a documentary about 9/11 with the owner. He didn't speak great English, but we communicated so much, so many shared feelings; as we watched a thing which felt as fresh and painful as nine years ago. And then another guy came in, and watched the last hour with us. It was strangely poignant. I'm English, the owner was Turkish and the customer Dutch. And we watched the TV screen in near silence, together. Nobody ever does anything in silence together. It was important somehow.

And then I was in The Hague for a conference with a bunch of people I'd never met, and four days later they were the best of friends. But then we went home, to literally thirty different countries around the world. And now we know we'll never all be in the same room again. We have different plans, different visa situations, different priorities. But our connection on those days went beyond what you can explain in tangibles.

I think that's what film is about. It's about capturing that. Capturing things we feel and experience and people we find; 'cause it's the only damn way we know to hold on to all the things that pass. The girl leaves, but she can live in a screenplay forever. The friend dies, but we can leave our impression of him up on a cinema screen for all to see.

Writing is about imagination a lot of the time. But it's also about looking very precisely at the things you're yearning for, that you've felt, that you miss. That's why 'Almost Famous' is everyone's favorite movie; it captures what it is to fall in love with everyone you meet on the journey, on Thunder Road. It'll never be the same again, so enjoy it, indulge in it, remember it and write everything you remember about it.

I am always longing for that. My favorite moments in life and in movies are about people being in places they weren't meant to be, connecting with people they never expected to find. That's 'Adventureland,' that's 'Before Sunrise,' that's sitting in Amsterdam with two strangers watching history and building a new, better world, just by being together in silence and understanding each other.

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JOHN CAGE Factor - An ALLY MCBEAL themed competition

John Cage went through a change. He became Barry White. No-one could defeat John 'The Biscuit' Cage in the courtroom and no man could match him in the bedroom. And it was because of him, Barry. John would convince himself that he is Barry White.

You too can go through this transformation by entering the John Cage Factor competition. Below are two videos of John Cage and the colleagues at his law firm as they become one with Barry.

Your job is to learn the John Cage dance (either version), dance it, and film it. You can do it alone, or with friends, or with strangers in the street.

The deadline is 31st December 2010. So if you're struggling to find people to dance with you, wait until they're drunk at Christmas. Then you can get the whole family doing the John Cage moves as Barry White sings 'You're The First, You're The Last, My Everything.'

Film it and upload it to YouTube. Make sure you have your names and a mention of Kid In The Front Row in the credits.

The winner will receive a CD of Barry White's greatest hits. Please share this out - we need to find people who are mad enough to enter, I know they're out there!




Wherever you're from, whatever gender you are, whatever your camera quality - you are welcome! I want your entries! Good luck to all!

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