Tuesday, 22 November 2011

LIKE CRAZY

November 19th-December 19th 2011 is Rom-Com Season at Kid In The Front Row.

On the one hand, this film is great. It's about falling for someone and waiting for their call and missing them when you break up and dying to be back with them and seeing them again and crying and not crying and running around laughing and kissing and being young and beautiful and for the briefest moment you think this might be a really great film...

...Because they get the tone right between the characters. You remember when you were young and a kiss or a not-kiss or a look or an almost look meant everything? This film is about that and at times it captures it perfectly and you feel eighteen again.


I joked in a recent article that one of the main things a rom-com needs is 'white people'. The point being, of course, that Hollywood is prejudiced and makes films mostly for and about white people. But really, the joke is that white people don't really have any problems. And you soon realise that's what this film is about -- white people who don't have any problems.

Here's the story. Two lovely young people fall in love. But the girl's visa is running out so she has to go back to the UK. But she loves the dude so she over-stays her Visa. Then she goes back home. When she returns to the USA, she gets stopped by passport control, because she violated her Visa on her last visit, so they don't let her through. She cries, and oh no, they can't see each other! So she's flown back to the UK.

So that's the first act. Two people fall in love and then one of them isn't allowed in America because of her Visa (and it's her dumb fault anyway). So she goes home and then for fifteen minutes of the movie the characters are soul searching and breaking up and leaving each other. So it goes bad. But then they talk on the phone. And they miss each other. And he flies out to see her. So it wasn't a big deal after all.

Of course, these young romances aren't a big deal. You're just a kid and you get all loved up and you take things way too seriously. But this film takes itself so seriously. It tries to portray the truth. And y'know, maybe it does, but in doing so - you just have a couple of characters sitting around sharing feelings, being happy, being mopey, and having an average white relationship.

But I can relate. I mean, all of my relationships are average white relationships and they're boring as hell. And the girl in the movie is just like the girls I fell for back in the day and the dialogue is just like the nonsense we used to spout to each other.


The film is too self-aware, too real. There's no mystery, no magic. When you make a film like this you only have the relationship and the things they experience to hold it together. That's why 'Before Sunrise' works. The glue is so strong. That's why 'Once' touched so many people, it was truthful and poignant and artistic. It resonated.

'Like Crazy' will resonate with people who are like the characters, but so many more will think 'what is the big deal?' and 'why can't they get over themselves?' They should have called this film "Everything Is Normal And Quite Average And Occasionally You Might Go A Month Without Seeing Your Boyfriend But Don't Worry It's OK".

Care to share?

Monday, 21 November 2011

Knowledge and Talent

..is nothing without focus.

Care to share?

A Mix Tape Of Goodbyes

Mark's mix-tape had a place in Sarah's heart forever, but did it have a place in her room? She liked the idea of keeping it, but how often did she listen to it? The truth is, she hadn't owned a cassette player since 2001. 

The cassette tape knew it, too. His time was up. How could something so personal and loved not be needed anymore? No-one was safe. Even the CD's were getting packed up and shoved under the bed. 

Rachel was the music guru. She was one of the first to get Napster. She said, "mp3's will kill the CD", and they did. Rachel was so crazy about the songs that she filled up ten hard-drives with music. 

But Luke doesn't even have the mp3's. He streams it on Spotify and he watches the live versions on YouTube. It's like that everywhere. There are books in libraries and CD's in the garage and DVD's in the back room and they're all wondering what the hell their future is. 

Wayne watched 'Jurassic Park' a hundred times on VHS. He didn't think he'd watch it again but he planned to keep the tape. And for years he did. He argued about it so often with Nina that they came close to divorce. But then it hit. It was a Sunday, and he realised; it's not needed any more. It's just an old giant video cassette taking up space. 

Jake, James and Marcy were the purists. They shopped for Vinyl and they roamed the streets for second hand books. But then the economy stayed nowhere and they had to move somewhere smaller. They looked at each other and they looked at the books and they looked back at each other. It was time. They loved them, they used to literally scream for joy when they found crazy-random DVD's and ancient-smelling books. But that chapter was closing, the disc was being ejected. 

Now it's a single copy of 'Catch 22' between them, the mix tape that Mary made before she died, and the Billy Wilder box set. Everything else waited by the door. Jake was okay about it. Somewhere across the world, I guess Wayne was fine too. Even Rachel and Mark had made peace with it. Everything goes away and changes into something new. They learned to accept it. 

But the books didn't. The beat-up and broken copy of 'The Great Gatsby' had been with Marcy since the beginning of time, and now it wasn't even being put into circulation, but in the trash. The videos are gone and the cassettes are gone and now the DVD's and CD's are praying for one final spin.

Care to share?

Sunday, 20 November 2011

10 Things You Need To Make An Average-Yet-Likable Romantic Comedy

November 19th-December 19th 2011 is Rom-Com Season at Kid In The Front Row.
  • White people.
  • Who are aged 30-35.
  • And live in New York City. 
  •  At least one of them must be a writer/journalist.
  • The female character should have a friend who is full of quirky advice.
  • Towards the end there must be a work engagement that clashes with the precise moment when their romantic destiny can be fulfilled. 
  • Please re-read the previous point. It must be precisely at the same time. You either choose to run to the airport to tell the person you love them, or you choose your work and therefore live a life of unfulfillment. 
  • There must be an airport.
  • And there must be a moment when a character can't get past security and onto the plane.
  • Or a moment where they can't get past security to get off the plane. 


Care to share?

Saturday, 19 November 2011

Rom-Com Season @ Kid In The Front Row

Starting today, for a month, I will be blogging primarily (but not exclusively) about romantic comedies.

Why? Because I enjoy them! Especially in the lead up to the holidays when you need them a little bit more. The rom-com is unique in that it is one of the most loved and watched genres, yet it is also the most dismissed. Women who love a good romantic comedy are seen as sappy losers who just watch 'chick-flicks', and men are seen as less-than-men if they admit to enjoying a Meg Ryan movie. 


What will I be writing about? I'm not entirely sure. Of course, there will be times when I write about movies I love, like I did previously with 'Serendipity'. But I will also be looking at the rom-com in different ways. For pretty much everyone, love and romance is a big part of life -- and also, most people have seen You've Got Mail and Sleepless In Seattle, yet people tend to disregard these films as meaningless or pointless. Indeed, I often find that I am wanting to watch one of these films myself, yet a part of me demands I watch something more useful and profound. It's often been the case that I want to watch Notting Hill, but instead make myself watch a political thriller or something. Can anyone relate to that? We cut off a part of ourselves and attempt to watch something else because we deem it more 'useful'. 

I will definitely be looking at the role of gender in the rom-com. Not necessarily in the films themselves, but in audiences. I was on a film set recently and mentioned that 'You've Got Mail' is one of my favorite films, and everyone looked at me like I had severe mental issues. Why does that happen? Why do people feel marginalized and like an 'outsider' when they admit to liking a romantic movie?

I am also interested in how rom-com's influence us -- how they make us see life and love in a more positive  way, when in reality life is usually the opposite. Films like 'When Harry Met Sally' and 'One Fine Day' make relationships seem more meaningful, and driven by fate -- and in society we often see our relationships in the same way -- but the drop out between reality and fiction can often make navigating through real world love painful. I call this Dawson's Creek Syndrome

Over the next month I will be focusing on rom-com's. No doubt I will be labelled as female, gay, not a real film fan, pointless, etc -- but I will tackle rom-com prejudice and judgement head on, and see if we can come out the other side with a new perspective on the genre. 


One final thing that fascinates me -- is how people need the romantic element and in fact enjoy it when watching movies, but they often find it easier when it's shoved into a movie that isn't specifically about the relationship. For example, us men have no trouble saying we love 'Forrest Gump', even though the key relationship is the love of Forrest and Jenny, but we'd have a much harder time saying our favorite film is 'The Notebook'. 

November 19th-December 19th 2011 - A month on Kid In The Front Row dedicated to those middle of the road, 6-out-of-10-rated-on-IMDB rom-coms that some but not all of us really love. 

Care to share?