November 19th-December 19th 2011 is Rom-Com Season at Kid In The Front Row.
On the one hand, this film is great. It's about falling for someone and waiting for their call and missing them when you break up and dying to be back with them and seeing them again and crying and not crying and running around laughing and kissing and being young and beautiful and for the briefest moment you think this might be a really great film...
...Because they get the tone right between the characters. You remember when you were young and a kiss or a not-kiss or a look or an almost look meant everything? This film is about that and at times it captures it perfectly and you feel eighteen again.
I joked in a
recent article that one of the main things a rom-com needs is 'white people'. The point being, of course, that Hollywood is prejudiced and makes films mostly for and about white people. But really, the
joke is that white people don't really have any problems. And you soon realise that's what this film is about -- white people who don't have any problems.
Here's the story. Two lovely young people fall in love. But the girl's visa is running out so she has to go back to the UK. But she loves the dude so she over-stays her Visa. Then she goes back home. When she returns to the USA, she gets stopped by passport control, because she violated her Visa on her last visit, so they don't let her through. She cries, and oh no, they can't see each other! So she's flown back to the UK.
So that's the first act. Two people fall in love and then one of them isn't allowed in America because of her Visa (and it's her dumb fault anyway). So she goes home and then for fifteen minutes of the movie the characters are soul searching and breaking up and leaving each other. So it goes bad. But then they talk on the phone. And they miss each other. And he flies out to see her. So it wasn't a big deal after all.
Of course, these young romances aren't a big deal. You're just a kid and you get all loved up and you take things way too seriously. But this film takes itself so seriously. It tries to portray the truth. And y'know, maybe it does, but in doing so - you just have a couple of characters sitting around sharing feelings, being happy, being mopey, and having an average white relationship.
But I can relate. I mean, all of my relationships are average white relationships and they're boring as hell. And the girl in the movie is just like the girls I fell for back in the day and the dialogue is just like the nonsense we used to spout to each other.
The film is too self-aware, too real. There's no mystery, no magic. When you make a film like this you only have the relationship and the things they experience to hold it together. That's why 'Before Sunrise' works. The glue is so strong. That's why 'Once' touched so many people, it was truthful and poignant and artistic. It resonated.
'Like Crazy' will resonate with people who are like the characters, but so many more will think 'what is the big deal?' and 'why can't they get over themselves?' They should have called this film "Everything Is Normal And Quite Average And Occasionally You Might Go A Month Without Seeing Your Boyfriend But Don't Worry It's OK".