This was not what Tommy wanted to wake-up to on the first day of principle photography.
I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
Tuesday, 20 December 2011
Movie Star Girl - Chapter Three
This was not what Tommy wanted to wake-up to on the first day of principle photography.
Monday, 19 December 2011
Movie Star Girl - Chapter Two
Sunday, 18 December 2011
Movie Star Girl - Chapter One
When they think of their first meeting, they think of Mulberry Street, but they actually met two hours before, in a run-down office just off Canal Street. Nicola was late and Tommy was pissed about it. Everyone was pissed about it. They’d seen fifteen actresses already and they had no time for a late one.
But then she walked in.
Tommy fell immediately in love and wanted to cast her. He knew it wasn’t professional, but love isn’t about being professional. Luckily, she had talent. It was more than just acting skills, she exuded something. An essence. She was like a Van Morrison song – soft yet surprising; with an unexplainable magic. She dived into the role of Jessica, and the whole room was captured, including Georgia, who usually hated everyone by default. Tommy knew they had to cast her. He was a unique filmmaker, and his debut feature was almost certain to impress. When it came to the female lead, he wanted someone with a simple, elegant beauty and a good heart and soul. It was definitely her. “We’ll let you know," said Georgia, giving nothing away, as Nicola went off into the night.
After a bad audition, Nicola would normally wait to get home before crying her eyes out. This time, she was certain she’d blown it. She disappeared into the night somewhere on the lower East Side and burst into a thousand tears. They flowed like they hadn’t in years. She’d fucked up auditions before, but this time it hurt because she loved the script and everything about the project. She was certain it would be her big break and now she was certain it was broken.
Tommy left the office happy, as did the producers. They’d found the missing ingredient. Tommy was also left with the bittersweet feeling of knowing that he was absolutely doomed. He grew up falling in love with movie star girls and now he was about to employ one that made his heart scream all over the Manhattan night. Georgia and Jay re-capped the afternoon and talked about the location visits coming up the following week, but Tommy’s attention was gone. He wanted to disappear into the night and think and dream and feel. It was insane, he knew; but as a writer and director he lived for those moments when life gives you a spark which makes you want to dance with the New York night all on your own. “Is that okay with you?” asked Georgia, about something. Tommy looked back all confused and made an excuse about feeling sick and wanting to leave. He lied about getting a Taxi, just to get rid of them, and then he took off into the streets with the sole intention of breathing in the New York night on foot.
Tommy didn’t believe in magic, except for when he did believe in magic, which was very rare and usually only lasted for about an evening; which is why he was so pumped up on this particular night, for it was undoubtedly magic.
Should I do it? Or would he think I’m insane? Am I even meant to have the director’s number? These were the thoughts that kept circling in Nicola’s mind. She wanted to call him to apologize for being so terrible and unprepared. I shouldn’t call, figured Nicola, which is probably why she dialed his number while eating a self-pity-deli-sandwich.
He didn’t normally answer numbers he didn’t recognize, but tonight was a night of magic, he’d decided. “Hi, is that Tommy Morrel?” asked the female voice. It’s her, it’s her, oh my God, what if it’s really her, he pondered. “It’s Nicola Pent, I read for you today. I’m an actress. Kind of.”
“Kind of?” asked Tommy.
“Well, based on today I am maybe not an actress.”
“You were great.”
“I think you’re thinking of someone else.”
“We all loved you.”
“I just want you to know that I love your writing, and everything you’re doing with the film and I really think I might be right for it, which I know is insane after what you saw today..”
“Nicola, you’re right, you might well be right for it—“
“You don’t understand. I was not at my best today, I’m embarrassed by it.”
“Are you insane?”
“Sometimes I’m a little insane,” she explained.
Tommy had an idea. It was the type of idea that he’d never attempted in real life but had always attempted in his movie scripts. Fuck it, he figured, tonight is a magic night. “Whereabouts are you right now?”
“Little Italy” she responded.
“Me too! Whereabouts?”
“Just outside Angelo’s.”
“Wait there. I’ll be two minutes.”
“Um, okay.”
Tommy hung up. It was an abrupt hang up, like they do in political thrillers, which he instantly regretted but figured he’d make it up to her when he got to Mulberry Street. The only problem was that he was actually nowhere near Mulberry Street. He hailed a cab and demanded they get there in two minutes.
The Bolognese sauce was, surprisingly, not a result of going to an Italian restaurant. In fact, Tommy didn’t know how the sauce stain came to be. He looked down at his shirt when he got into the cab, and there it was. It was big. Almost enough to make him cancel on Nicola. Luckily, he had a masterplan: arrive on Mulberry Street, run into a restroom, and wash it off before she sees him. Or he could dive into a store and buy a cheap t-shirt of some kind. All of these things could have worked had Nicola not been standing in the exact spot where the yellow cab pulled up. Nicola smiled and waved awkwardly as Tommy stepped out of the car. It suddenly hit Nicola that she was meeting a director who absolutely despised her and was probably meeting her to recommend a career as a receptionist.
“Why would I despise you?” asked Tommy, as they sat down in the restaurant. “Because I’m the worst actress you’ve ever seen,” said Nicola.
“Okay, cut it out. You’re fantastic. We’re considering you for the role.”
“Really?” she asked.
“What do you want to eat?”
“I’m not hungry.”
“Me neither,” added Tommy.
Nicola was all ready to ask ‘then why the hell are we here?’ but instead found herself laughing and smiling. It was a spontaneous moment, that made a bolt of life flow through her body; making her instantly happy. She was comfortable with this director guy. She didn’t know why, but she was. She smiled at him and he smiled at the world and they ordered some wine.
The Bolognese stain was covered by Tommy’s left arm for most of the evening. This made it look like he had a bizarre disability, but for him, that was better than looking like someone who spilled food all over himself. Nicola found it amusing, if only because he was getting in a pickle about the fact the sauce was now all over his arm as well. They talked about the film and then they talked about their favorite songs and then they talked about religion and relationships and their pets and their dreams and four hours quickly rushed by.
They stepped outside somewhere around midnight and decided to get down to serious business: the cupcakes. For reasons not quite known they both had a craving for delicious cupcakes. But from where? Tommy knew a place on the Upper West Side and Nicola knew a cute place in Chelsea but they were both too far away for the craving. “We will walk until the cupcakes present themselves,” announced Tommy, and that they did.
Tommy was extremely aware of the magic. The temperature was just right, the conversation was flowing and for the first time in at least five years his sense of humor seemed to work on another human being. “This is a good night,” said Tommy.
“Indeed it is,” said Nicola, who had forgotten all her madness about being a bad actress.
“I need to tell you something,” said Tommy, in an unexpectedly serious tone. Nicola stopped and turned to him, ready to take in whatever he had to say. She suspected something terrible, like cancer, but hoped it was something sweet, like ‘Can I kiss you?’
“What’s up?” she asked.
“I have a rather troublesome and somewhat outrageous amount of Bolognese stuck to my shirt and I don’t know how it got there.”
Nicola fell into a fit of laughter that lasted for at least five hours. “I’m serious, I don’t know how it happened” added Tommy.
Nicola tried to talk, tried to say anything sensible, but she was too lost in laughing-breakdown-mode.
Tommy’s phone rang, which surprised him, as he had forgotten there were phones, or buildings, or indeed anything other than Nicola and the Manhattan night. It was Jay, the producer, all excited and loud --- “We’ve got him! We’ve fucking got him!” yelled Jay.
It was good news. Jason Hurl, the movie star, agreed to do Tommy’s small indie film. He slashed his fees, cleared his schedule, and agreed to dedicate himself to “Two People Lost”. This was the moment Tommy had waited all his life for. A giant movie star was agreeing to star in his picture. Amazing. But of course; Tommy realized what it meant --- that Nicola, the new piece of Brooklyn magic that had strolled into his life only hours ago, would have, as her love interest, a Hollywood icon. Jason was married, of course, but then everyone in Hollywood is married right up until the point they’re not married anymore. Tommy immediately regretted the sex scenes he’d written. Maybe they weren’t integral after all. Maybe the film didn’t need to be a romance anymore. He considered making it a gay drama. Nicola looked at him and wondered why he’d been spaced out for about nine minutes.
Nicola playfully mentioned that she desperately wanted a cupcake, and Tommy snapped back at her, “I know. I get it.” She was surprised by his abruptness. Tommy felt he had a right to be angry with her – because he was certain that she was already planning to have an affair with Jason Hurl even though she didn’t know that she would be offered the role, or that Jason would be in it as well.
Tommy could actually see the night’s magic disappearing in front of him. It announced itself with a gust of cold wind and a look of distance in Nicola’s eyes.
Saturday, 17 December 2011
Indies
I love that! And they had great actors, including Olivia Thirlby from "Juno". Movies aren't about the studios anymore. There are niche audiences all around.
I was listening to a great podcast interview with comedian Chris Rock today. He was saying that the era of the mainstream is over, the best comics have their own niche audiences. We've seen it in music too since the mp3 took over.
The old timers are clinging on, packaging movies the old way, but things are changing. Films like "Breaking Upwards" are possible, we just need to believe it. "New Years Eve" was a surefire hit for the studios, but it flopped. And Scorcese's "Hugo 3D" was actually great, but also flopped. The marketing departments can't guarantee a hit any more.
A heartfelt film made for $1,000 is just as valid as a Hollywood blockbuster. Don't get me wrong, the indies can be just as shitty as the mainstream movies. "Breaking Upwards" only scores a '6' on IMDB and with good reason.
But what the movie stands for and the attitude of the team behind it far outlives the content. "The Puffy Chair" proved that films on zero-budgets can resonate. So did "Clerks", "Once" and "The Blair Witch Project."
I watched "Happythankyoumoreplease", another indie flick about white actors/writers who drink coffee and have no problems. This is the danger of indie flicks, too many people are just trying to remake "Garden State."
Life is about many things. "Breaking Upwards" and "Happythankyoumoreplease" were both about writers in New York, and it shows a real lack of imagination. It works when Woody does it, but that's because you can be a shoe maker in India and still relate, because what he did was universal. But some of these modern indies are about absolutely nothing at all.
There was a time when nothing-at-all was cool. But Kevin Smith nailed it and so did "Seinfeld". We need more to sustain us. That's why I really feel the time is ripe for an indie film revolution. We have the tools, and the talent is all around us. The films just need to be about more than coffee and hip soundtracks.
Too many people are waiting for the big break or joking around making zombie films that nobody is passionate about. The old paradigm of production and distribution made this the only way, but now the door is open. If your work resonates with people, you'll find them on Twitter and Facebook and they'll find you.
Ten true fans will go out and kill for you. Word of mouth rules everything. Even the studios offer sweeteners to bloggers and tweeters now, they want you to feel part of the club so you'll give them positive reviews.
But you don't need the studios. You don't even need that much money. Cinema is changing. Get a good story and you're golden. Find great actors and anything is possible.
We don't totally know how distribution is going to play out in the future. It changes every year. We used to hate the idea of people streaming our movies but now people's Mac screens are as big as the cinema.
So don't rule out anything.
Everything is changing, and the indies play a bigger role than people realise. For the first time in cinematic history, we have greater personal access to our audiences. It's like the Chris Rock thing I mentioned; niche audiences. You don't need the big break anymore, you just need to find the people who get you. That's what musicians and comedians do now, and film is starting to go the same way.
Friday, 16 December 2011
4am Miracle
I've had so many of them. Writing breakthroughs, insights about life, transcendent music listening experiences.
After a while you realise it isn't coincidence. Springsteen was right: "Show a little faith, there's magic in the night."
Too many good things have come from not sleeping. Sure, I feel like shit come the morning, but you carry on. Right now it's 3am and I'm up at 7 for an 8am call time. But its worth it when I've done some writing and had a profound experience listening to Pearl Jam.
Three weeks from now, who cares how little I slept three weeks ago? That's what always gets me about the people who leave early, I don't get it. They invented coffee, y'know. You can sleep the next night.
So much of sleep is based on societal norms. I still battle with this concept in my head that my sleep is abnormal. Abnormal to who? Why should I give a shit?
The night is so quiet. You finally get to be alone. No-one can tell you you're going wrong. There's no-one to please. It's an opportunity. The night doesn't judge you, it just sits quietly in the corner offering you a chair.