Tuesday, 10 January 2012

The Artist

Fascinating concept: a silent film about the death of silent film. 

And make no mistake, it is dead. This film works because of the nostalgia, we like to believe we want it the old way.. but how often do you listen to CDs and watch films on VHS?


That being said, in the last year, there has definitely been something in the air. 'Midnight In Paris', 'Hugo' and 'The Artist', all nostalgic films about bygone eras. We miss the heart and soul that these old movies had. Problem is, we can't access it in the modern age, we can only look back. 

'The Artist' is a sweet film that, in all probability, is not as good as the hype, and definitely not as good as the films from the era it's set in. I guess that was hard for me.. the old film sets and silent stylings got me thinking; thinking that I really want to watch 'City Lights', just like 'My Week With Marilyn' just made me want to see Marilyn Monroe again.


These films can't reproduce the magic they're inspired by, they can only remind us. And watching 'The Artist' you can't help but think I wish films were still like this, or even I wish life was like this.

'Midnight In Paris' put it the most poignantly; every generation longs for the ones that came before, and we cling to them rather than face the present. If we are to take anything from 'The Artist', 'Midnight In Paris' and 'Hugo', It's that the romance and magic of days gone by are still  here in us, otherwise these films would hold no appeal. They're hidden there behind our laptops, underneath our tweets, buried under the CGI.

We still care.

We still have hearts.

And we need to do more to make that a reality for and in our current lives, for they are the only ones we truly get to live. 




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Monday, 9 January 2012

Find The Collaborators You Want To Spend The Rest Of Your Life Working With

The best independent films are made by people who trust and believe in each other.

I was with a director and a producer today, watching the rough cut of a film I wrote. Afterwards we were talking about the crew. They both kept raving about one of the runners. The guy was getting paid hardly anything at all, but he gave so much to the production, they couldn't have done it without him.

And the producer loved my friend Henrietta. They'd auditoned her for a role based on my recommendation, but didn't think she was quite right for it. But the producer told me how great and enthusiastic she was.

And there was one person on the crew who was incredibly problematic and none of us will ever work with him again. Life is too short.

It's not so much about finding opportunities as It's about finding your creative soulmates. With this current project, we had problems, differences -- but the bottom line is, we believe in each other, and we're already looking at future projects. And those who made good impressions, it sticks. It's easy to get a runner, and you can get away with hardly paying them anything. But let me ask you, how many of them make themselves indispensable? And when they do, do you think they're on such low pay the next time around? Of course not.

Be the best and look out for the best. Build your team. You'll help each other grow as artists.

It's not always that simple. Sometimes you're stuck with a producer who doesn't get you or an actor who can't grasp what you're after.. but that's fine, that's art. The key is to hold on to the magic people when you find them and build on from there.

A final note on an unrelated point: you should listen to acoustic Ryan Adams tracks at around 1.34am, your life will change a little for the better.

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Going To See THE ARTIST tomorrow..

...anything less than the greatest film ever, and I will be disappointed.

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Saturday, 7 January 2012

Friends In The Front Row

Anthony Abatte has been following my blog for about a year now (at a guess). He's that friend who just 'gets it', you know what I mean? Everyone has friends they write for -- and he has become one of them. We're just on the same wavelength somehow. As is often the case, he lets me know often that he likes my work, but how often do I say thanks, or say I like his stuff? Not nearly enough.

Tay and Val have sent me some of the nicest emails I've ever received -- they make you feel like you can not only inspire a few readers, but maybe inspire the world. And I guess, there's some truth in that -- for people to inspire the masses, you first need a few people who believe in you. And the weirdest thing is how --and I hope they don't mind me saying this-- I felt like, when they first contacted me, they saw me as someone to look up to in terms of creativity. But the funny thing is, I feel the same about them. They're out there, doing their fantastic projects -- and it's inspiring. Artists are on an even playing field; and it's great to know that I'm out there doing my thing and they're out there doing theirs. That support is what keeps people going.


Teri is kind and supportive in an unbelievable way. She comments here on the blog, she 'likes' my Facebook updates and she retweets my articles. And she forgives me after I've been grumpy or ranting about something. It always gets me, how people can be so kind and supportive -- what makes a person do that? I have no idea. Sometimes you just have to be happy that people exist. The thing about Teri is that she's so creative and alive and full of ideas; which is what makes her blog so interesting.

Semi is the coolest. She has a way of popping up with a comment or email that makes my day. And she blogs too. I don't know Semi that well; I just know that she's young and intelligent and can potentially achieve anything and everything. In fact, anything less than achieving EVERYTHING and I will be disappointed.

Happy Frog and I quietly gets on with her writing; occasionally popping up to tweet me, or comment here, or send me an email. It's exciting knowing Happy Frog and seeing her work blossom -- because I really feel the sense of a writer gaining momentum and confidence each time I read something new. That's another great thing about being part of this community of bloggers -- we get to witness something. The good writing, the bad writing, the indifferent middle ground. We see it all. That would be hell, except that everyone cares about each other which somehow makes it all WORTH IT.

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Thursday, 5 January 2012

The Film

I watched our movie with someone else.

I held off, for a while. That was always the plan.

But you're not here and I'm not there. And we're neither here nor there anymore.

You could be anywhere, with anyone, watching anything. And that's fine, totally fine.

But tonight, I'm here, with her, watching this.

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