"Sometimes all you need is twenty seconds of insane courage. Just, literally, twenty seconds of just embarrassing bravery. And I promise you, something great will come of it."
Sunday, 25 March 2012
An Enormous Anger Grows in Brooklyn: Discovering THE RECORD SUMMER
There's something magical about discovering a band right at the beginning of their journey. Not that it's the beginning of the journey for 'The Record Summer', the songs I'm going to be talking about were released two years ago.
Who are 'The Record Summer'? Where have they been? Where are they heading? To be honest, I don't have a clue, I just discovered them. But this is one of the purest songs I've ever heard.
At the time of writing, 'An Enormous Anger Grows in Brooklyn' has 758 views on YouTube. Their Facebook Fan Page has 196 followers. How exciting! The journey is beginning.
I remember seeing Jason Mraz in the basement at the Betsey Trotwood in Farringdon, London. There were only 40 of us, and we all knew we were discovering something special. We got to request songs, we got to talk to him, we got to know him. And then a few years later he was selling out Wembley Arena and "I'm Yours" was all over the radio. That's how it goes.
We're over-saturated with bands these days. How do you stand out? You just get good, that's all there is. Get good at whatever it is you do. What do 'The Record Summer' do? That's open to interpretation. For me, they reach for something pure, that's the only way I can describe it. They sound truthful, they sound like they mean it.
I guess 'Put You Out' is the hit, it has 4,667 views on YouTube.
That's what it's about these days. You don't reach everyone, you just gotta reach someone. Really reach them. I've had 'An Enormous Anger Grows in Brooklyn' on repeat for days. You might hate it, you might not see why I'm making a fuss --- but that's what it's about in the modern era. You make music and films that sound and feel and smell like YOU, and then if people relate, they'll love you and spread the word. I've got no reason to care about this band, yet here I am demanding you at least give them a listen.
This is how it starts. You don't need the record labels and the big film studios, you just need people who want to repeatedly watch and listen to your art. I can't stop watching the Cameron Crowe film 'We Bought A Zoo'. It's a friggin' family drama with zoo animals! I didn't expect to love it as much as I did, but it's Cameron Crowe. And I dig his stuff. Who he is and what he says matters, to me.
Who are 'The Record Summer'? Where have they been? Where are they heading? To be honest, I don't have a clue, I just discovered them. But this is one of the purest songs I've ever heard.
At the time of writing, 'An Enormous Anger Grows in Brooklyn' has 758 views on YouTube. Their Facebook Fan Page has 196 followers. How exciting! The journey is beginning.
I remember seeing Jason Mraz in the basement at the Betsey Trotwood in Farringdon, London. There were only 40 of us, and we all knew we were discovering something special. We got to request songs, we got to talk to him, we got to know him. And then a few years later he was selling out Wembley Arena and "I'm Yours" was all over the radio. That's how it goes.
We're over-saturated with bands these days. How do you stand out? You just get good, that's all there is. Get good at whatever it is you do. What do 'The Record Summer' do? That's open to interpretation. For me, they reach for something pure, that's the only way I can describe it. They sound truthful, they sound like they mean it.
I guess 'Put You Out' is the hit, it has 4,667 views on YouTube.
That's what it's about these days. You don't reach everyone, you just gotta reach someone. Really reach them. I've had 'An Enormous Anger Grows in Brooklyn' on repeat for days. You might hate it, you might not see why I'm making a fuss --- but that's what it's about in the modern era. You make music and films that sound and feel and smell like YOU, and then if people relate, they'll love you and spread the word. I've got no reason to care about this band, yet here I am demanding you at least give them a listen.
This is how it starts. You don't need the record labels and the big film studios, you just need people who want to repeatedly watch and listen to your art. I can't stop watching the Cameron Crowe film 'We Bought A Zoo'. It's a friggin' family drama with zoo animals! I didn't expect to love it as much as I did, but it's Cameron Crowe. And I dig his stuff. Who he is and what he says matters, to me.
"They don't even know what it is to be a fan. Y'know? To truly love some silly little piece of music, or some band, so much that it hurts."
-Sapphire in 'Almost Famous'
Written & Directed By Cameron Crowe
I have no idea if 'The Record Summer' are any good. I don't know if they're the real deal, it's too soon to tell. I can tell you that I love everything I've heard so far, and that's something, right?
Friday, 23 March 2012
21 Blog Street
1. I love Danish movies.
2. 'The Vow' is not very good. But I like Channing Tatum and Rachel McAdams.
3. Tatum is good with comedy. '21 Jump Street' has some hilarious moments. It gets a bit daft towards the end, but what do you expect? It's a Hollywood movie.
4. That's why I love Danish movies. Story comes first. The characters are real. It's not about genre - it's about an experience.
5. I completed the 1st draft of a screenplay this week and the producer absolutely loves it. This confuses me.
6. People sure are getting excited about 'The Hunger Games'. Any good? There's a great article in the New York Times about how it was hyped by the marketing people. I love this sentence: "Lionsgate has generated this high level of interest with a marketing staff of 21 people working with a relatively tiny budget of about $45 million". Makes you realize what an insane industry we're in. A company spends close to fifty million dollars on brainwashing a movie into our skulls, and that's deemed a 'relatively tiny budget'.
7. Bill Hicks on marketing: "By the way, if anyone here is in marketing or advertising...kill yourself. Thank you. Just planting seeds, planting seeds is all I'm doing. No joke here, really. Seriously, kill yourself, you have no rationalisation for what you do, you are Satan's little helpers. Kill yourself, kill yourself, kill yourself now. Now, back to the show. Seriously, I know the marketing people: 'There's gonna be a joke comin' up.' There's no fuckin' joke. Suck a tail pipe, hang yourself...borrow a pistol from an NRA buddy, do something...rid the world of your evil fuckin' presence."
8. Sometimes I am really cynical about her, but that's mostly because I'm insanely jealous of her creativity, optimism and vision. Check out this wonderful little blog post by Color Me Katie. If more people were like her, the world would be wonderful and peaceful.
9. When '21 Jump Street' was nearing the end -- about 12 people behind us in the cinema decided to get into a mass brawl. My friend and I had no idea why it happened, we were just glad we had popcorn.
10. I enjoyed 'We Bought A Zoo'. Is it actually any good? I DON'T CARE! I just know I love it! Cameron Crowe movies are full of vitality and life. That's why I love 'Elizabethtown'. In many ways, it sucks, but some moments are golden. Most films, even the good ones, have no golden moments at all. What are these moments I talk of? They're moments of life - of fresh air - of feeling. Cameron Crowe is the master of that.
11. In this day and age, do relationships ever truly end? Do you ever get closure? Even if you do the whole 'deleting' each other thing, there still comes the day when someone adds someone back again, or stalks them on another site. That never happened back in the day, right? How will it be when we're old? How do you ever truly get away from the exes? I think it's impossible. This topic reminds me of this little short story I wrote. It didn't get much attention but I think it's one of the best things I've written on the blog. It's called 'A Modern Break-Up'. Let me know what you think of it.
12. Reminds me of a thing I wrote last year, where I imitated the writing styles of Woody Allen, Roald Dahl and Jack Kerouac, and called it 'Facebook Stories'. It was fun!
13. 'The Four Tops' were a great band.
14. I'm really looking forward to 'American Reunion'. It'll be like hanging out with old friends.
15. I'm going on a trip soon and I plan to not tell anyone what I do for a living. I'm gonna lie and say I'm a plumber, or that I invented the iPod. I just wanna get away from it, from who I am, just for a little bit. Sometimes I think you can be too identified with who you are and what you do for a living. In fact, I saw a quote this morning that resonated. Let me find it...........
"When I let go of what I am, I become what I might be."
-Lao Tzu
Not that I really know what it means, but it sounds nice. That's the thing, we're all guilty of the bastardisation of great traditions and inspirational quotes. Ever read Eckhart Tolle? (a spiritual hack); he uses phrases like, "What Jesus meant to say was....", can you believe that? How would he know?
None of us know what any of the great wisdom means, we just like to pretend we do.
None of us know what any of the great wisdom means, we just like to pretend we do.
That being said, Lao Tzu quotes always inspire me.
16. Which reminds me of a story I wrote back in 2010, called "Lesser Known Inspirational Quotes". Here's a snippet:
"In 336 BCE, Quaqulus, a part-time swimming instructor, had big dreams - he wanted to inspire the world with his wisdom. Unfortunately, he was not as gifted as Epicurus - and his legacy is not quite as impressive. He is perhaps best known for, "The world is really big, and that's why it's difficult to go everywhere." He tried to better this a year later; when he penned "The value of friendship is quite high." He finally gave up inspirational quotes the year before his death, when the best he could come up with was "Sometimes things are really difficult. The key is to not always have times that are really difficult, if possible.""
17. Whenever I feel a little lost, a little off centre, I listen to music from 'The Apartment' and it brings me immediately home.
What song or piece of music does that for you?
18. Here is my in depth analysis of the screenplay 'The Apartment' by Billy Wilder and I.A.L. Diamond.
19. Three actresses I really like: Helen Hunt, Patricia Clarkson, Ellen Page. I'm a little bit in love with Ellen Page. And also Rachel McAdams. Which reminds me of a great Woody Allen joke from the film 'Anything Else':
"Last night, I was home by myself and I conjured up a threesome with me, Marilyn Monroe and Sophia Loren. It was very erotic. In fact, if I'm not mistaken, it was the first time those two great actresses ever appeared in anything together."
-Woody Allen
20. My Top Three Seasons of 'Friends': 2, 4, 8.My top three characters: Ross, Joey, Chandler (sorry, girls). Although, from season six onwards I'd change that to Ross, Joey, Rachel.
21. I feel I need to choose between Ellen Page and Rachel McAdams. I just worry the one who misses out will be heartbroken.
Thursday, 22 March 2012
12 ANGRY MEN (1957 Vs 1997)
'12 Angry Men' is a classic film from 1957, directed by the legendary Sidney Lumet. The whole film takes place in one room. But this isn't 'Saw', it doesn't resort to shock and awe, and it isn't 'Reservoir Dogs': no ears get chopped off.
It's 12 people in a room, talking. That's ALL it is. Yet it's riveting! A perfect film.
For those of you who haven't seen it: the film is about a jury who has to reach a unanimous verdict on a murder case. 11 of them are certain he's guilty, yet one of them is not sure. Juror no #8 is played by Henry Fonda. You can't take your eyes off him in this film, you sit there spellbound for 90 minutes.
They remade it in 1997, and Fonda's role was played by Jack Lemmon. I understand the casting. Juror No #8 was an everyman. He's who we like to think we are. And if that isn't an exact description of Jack Lemmon then I don't know what is.
But guess what? It doesn't work with Jack Lemmon! In fact, the remake hardly works at all.
It looks simple, right? 12 men in a room talking, easy! Just follow the script, get the shots, and be done with it.
But the original was directed by Sidney Lumet, one of the all time great directors. When someone nails subtlety and simplicity, they make it seem like anyone can do it, but it's not true, it takes skill, talent and awareness. Lumet made a masterpiece in 1957. The remake in 1997 is flat, you don't believe the characters. It crosses your mind that you're just watching 12 people sitting in a room talking.
We tell stories to each other verbally, or we read them in print. It's enough, when the story is great and handled well. That's why the original movie is so good. Henry Fonda grabs your attention and you're in awe of him standing up to 11 men who disagree with him.
With the Jack Lemmon version, he's not brave, he's just disagreeing with people, he's just unsure. It's just as valid, but it's not as compelling. But Fonda is magnetic, he pulls you in and holds onto you for the entire film.
The first film does an incredible job of putting you in the room. You feel like you're in the jury. Each member of the group is distinct and different. Some are reasonable, some are apathetic, some are angry and hostile. Thing is, you relate to all of them! That's why Fonda's character is so powerful, because you know how hard it is for people's minds to get changed. You feel it yourself when you're certain about something.
The craziest thing about '12 Angry Men' is that we don't know the full case, only what we hear in the jurors room afterwards. Our interest in the story isn't even based on the merits of the case, we don't even know them!
The 1957 version is genius, a masterclass in simplicity, story, and character. The 1997 version has everything in place, but it doesn't feel as natural. It's worth a watch, but the original is the masterpiece.
It's 12 people in a room, talking. That's ALL it is. Yet it's riveting! A perfect film.
For those of you who haven't seen it: the film is about a jury who has to reach a unanimous verdict on a murder case. 11 of them are certain he's guilty, yet one of them is not sure. Juror no #8 is played by Henry Fonda. You can't take your eyes off him in this film, you sit there spellbound for 90 minutes.
They remade it in 1997, and Fonda's role was played by Jack Lemmon. I understand the casting. Juror No #8 was an everyman. He's who we like to think we are. And if that isn't an exact description of Jack Lemmon then I don't know what is.
But guess what? It doesn't work with Jack Lemmon! In fact, the remake hardly works at all.
It looks simple, right? 12 men in a room talking, easy! Just follow the script, get the shots, and be done with it.
But the original was directed by Sidney Lumet, one of the all time great directors. When someone nails subtlety and simplicity, they make it seem like anyone can do it, but it's not true, it takes skill, talent and awareness. Lumet made a masterpiece in 1957. The remake in 1997 is flat, you don't believe the characters. It crosses your mind that you're just watching 12 people sitting in a room talking.
We tell stories to each other verbally, or we read them in print. It's enough, when the story is great and handled well. That's why the original movie is so good. Henry Fonda grabs your attention and you're in awe of him standing up to 11 men who disagree with him.
With the Jack Lemmon version, he's not brave, he's just disagreeing with people, he's just unsure. It's just as valid, but it's not as compelling. But Fonda is magnetic, he pulls you in and holds onto you for the entire film.
The first film does an incredible job of putting you in the room. You feel like you're in the jury. Each member of the group is distinct and different. Some are reasonable, some are apathetic, some are angry and hostile. Thing is, you relate to all of them! That's why Fonda's character is so powerful, because you know how hard it is for people's minds to get changed. You feel it yourself when you're certain about something.
The craziest thing about '12 Angry Men' is that we don't know the full case, only what we hear in the jurors room afterwards. Our interest in the story isn't even based on the merits of the case, we don't even know them!
The 1957 version is genius, a masterclass in simplicity, story, and character. The 1997 version has everything in place, but it doesn't feel as natural. It's worth a watch, but the original is the masterpiece.
Wednesday, 21 March 2012
The Perfect Time to be Perfect
You figure, when you get the house sorted, then you'll be ready. Or maybe after the winter, when the sun comes out and you can stand being outside more.
You feel like you just need to get that annoying script out of the way before you can focus on the one that's truly 'you'. You'll just act in one more zombie film before you really take the time to figure out what you really want to be involved in.
It always manages to be five miles further down the road.
It's a bizarre side effect of creativity --- you always feel like you're doing the thing you need to do, so that you can get to the thing you really want to do.
Even those people who are doing the really deep 'personal projects'. Most of the time they're dying to get them out of the way so they can finally go and do what they really want to do, which is probably a zombie comedy.
I've just completed a project that's been around my neck for half a year that I didn't want to be there in the first place. And another project, something I've put a huge amount of energy and commitment into, is now not going to happen. Although these may sound like negative things, in many ways it's freeing. I feel like now I have the chance to really focus and be me.
The failures are difficult, though. Because you have nothing to show anyone. You can't take them to 'The Museum of Near Misses and Full on Failures', all you have is a blank space where an accomplishment should be.
But then again, everyone has this. The path to success is tempered with rough terrain, full of obstacles and let downs. There are so many bad projects out there, so many terrible people to collaborate with. Can you expect to miss them all out? You can't.
Sometimes we fail because we're no good. Mostly, we're just with the wrong crowd. People are scared of committing to lovers, but throw a producer their way and they'll sign the worst of deals. I signed a bad deal in 2007. I wasted two years helping someone else make a terrible movie in 2008 and 2009. After that I tried getting something off the ground with a producer who could never really get to grips with who I was and what I was trying to do.
I only say all this because I feel like many of you will relate to it. Many of you have had hard work, failures and sleepless nights disappear into unaccounted for history. People just don't see the work you put in. You have to counsel yourself through the bad times, cause everyone else thinks you're cruising.
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