AMERICAN PIE 2

"My name's Petey. Thank you. And I have gigantic balls!"

-Jim

Did it need to exist? Probably not. The first one was perfect, the second one just wanted to ride the wave.

But I loved the characters. It was good to just hang out with the guys again.

The sequel survives on the characters and set pieces. The first one had a strong structure--- it was all about the build up to the prom, and the sex. The sequel was much like where the story was set; a pointless summer vacation, but one where lots of fun happens.

The scene at band camp where Jim gets mistaken for Petey, the special needs trumpeter, is absolutely masterful. And it doesn't rely on sex. It's harmless, silly and hilarious.

Same thing goes for the scene where Stifler breaks into the house of the 'lesbians' and finds a dildo. Jim and Finch follow him in--- and then of course, the women return home, and the lads are stuck in the house, forced to hide in the bedroom.

But for every masterful scene, there are moments that struggle. When the women find them in the bedroom, what follows is a scene where they mess with the guys, forcing them to touch and kiss each other in return for some lesbian action. It's a nice idea, but lasts five minutes too long.

In the first film, everything weaves together perfectly. In the sequel, they don't seem to know what to do with all the characters. Kevin and Vicky? Boring! Oz and Heather? Snorefest! I guess they just wanted to keep as many original cast members together as possible. But the phone sex storyline was coma inducing. Oz and Heather were adorable in the original, but this was just pointless.

The film got better halfway through, that's when the key story really took shape. I'm talking, of course, about Jim and Michelle, who have always been the heart of the franchise. Looking back at this film --and this is purely speculation on my part-- but you get the sense that they tried overly hard to make it as funny, outrageous and shocking as the original; and because of it, there's a lack of focus --- but it's saved because of Jim and Michelle. They bring an honesty and openness to it, which makes things more balanced, it makes us believe in it more. 

And then there's Jim's Dad. And Stifler. The fact is: these characters are hilarious, which is mostly a good thing but it means there was always a risk of overkill. It's like watching 'Friends', you know Joey is Joey, but they have to keep it in check, because if you cross the line, everyone quickly gets disinterested.  In the years since this film came out, the Stifler jokes have aged, yet Jim's Dad still rings true.

Ultimately, this film is nowhere near as strong as the original. Having said that, some moments are HILARIOUS. I'd totally forgotten about Jim gluing himself to himself with one hand, and to the 'Pussy Palace' VHS in the other. That whole sequence is golden.

'American Pie 2' is just about passable as a sequel. The characters are lovable and some of the sequences are genuinely hilarious. But overall, it's a piecemeal effort. A bunch of jokes hacked together with convenient storylines that exist purely to make them possible.

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AMERICAN PIE

"What exactly does third base feel like?"

-Jim

I think the original 'American Pie' was a bit of a masterpiece. I know we're not meant to label teen comedies as masterpieces - but I love it, I think it's a fantastic movie. And yes, I'm biased. I feel personally attached to it. I guess it's an age thing; it's generational. I was the perfect age to be affected by this movie when it first came out. 

So much of 'American Pie' became iconic; Jim dancing for Nadia. Stifler drinking the beer. Jim's Dad. Finch shitting in the women's toilets. The phrase 'MILF'. The pie fucking.

That's why the 6.9 on the IMDB scale is a false number, because it has been more influential than half of the films that score 8 and above. 'American Pie' was an important film. It's easy to disregard teen comedies, but this one had something special about it.

They set the tone from the first scene. Jim, a porn channel with bad reception, and a sock. Yet all the films that ripped off 'Pie' in the years that proceeded it missed the point, just like the blockbusters that came after 'Jaws' missed the mark ---- the film had heart.

Yes, it's a film about four guys trying to get laid. And yes, it's crude. Yet somehow, we love them. Quite remarkable, considering the awful things they do. If I filmed a girl undressing in my bedroom and then broadcast it without her permission to hundreds of people, it would be unacceptable, disgusting, probably even land me in jail. In the film it's charming, and oddly -- we feel for Jim. We feel his desperation, his loserness. When you're a teenager, you don't have a clue what you're doing. You try and fit in, try and get laid, and try to impress your friends.

On the surface it's a film about boys trying to get girls into bed, but really it's a film about guys figuring out how women work, coming to terms with what love is. That's the best thing about American Pie, its sincerity.

Watching it again reminded me of how much I loved it. I know every line of dialogue. I've probably seen this film twenty five times. I realised how some of the dialogue and funny lines are things I say in real life; they've become embedded in me. I'd forgotten where they came from. Isn't it amazing how movies do that? They become part of your DNA.

I've got to confess that so many of my favourite movies are my favourites simply because: they're a blast! They're so much fun. This is the perfect example of that. I've always been the type of guy who loves the first twenty minutes of movies, and then gets pissed off when all the conflict and plot stuff comes along. Sometimes I just wanna get the feeling of hanging out with great people. I love it when movies allow for that. That's exactly what this film did. And luckily it had all the other elements too.

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AMERICAN PIE Week on KITFR

"Sure it may be a cash in, but I want to see the Ghostbusters again. I want to see Woody and Buzz argue. We fall in love with characters and they inform our childhoods, our teenage years, and we always long for them. "They don't make them like they used to," we say. We think we miss the stories but most of the time we miss the people."

-KITFR on 'Scream 4'. 

This week, I'm focusing exclusively on the 'American Pie' franchise. Why? I'm a fan. When I heard they were doing a new movie, I was immediately excited. This is difficult for me, because I've always had a troubled relationship with sequels, remakes, and reboots. Generally; I disagree with them on principle. But what is that principle? I don't really know. 

And it's not like I feel that strongly about it. As I explored a few years ago, the inner-grumpiness I often feel when remakes are announced, disappears as soon as I'm sitting down and watching the new movie. I enjoyed the new Karate Kid film. And then there was 'Scream 4', which I thought was amazing. But it's a different kind of amazing. More than anything, sometimes it's just great to see faces you know, people you grew up with. It's nice to know what they're doing ten years later.

That was the appeal when I heard there'd be a new American Pie film. The thought of seeing Jim, Oz, Michelle and Nadia again was exciting! After three movies (let's not even discuss the straight to DVD movies that came after 'The Wedding') it was, rightly, time to call it a day. The joke had run out, we were tired of Stifler, and Jim's Dad had given just about all the advice he could give. 

But time is an interesting thing. Going to see a new American Pie film is much like adding an old school friend on Facebook. You're unsure whether you should, but you can't help but be curious and hope a little of the old magic will still be there. 

So, yeah. I'm a fan. I decided to watch the first three movies again and write about my thoughts. And then I'll tell you what I think of the new one.

American Pie week will run from April 24th - April 30th here on Kid In The Front Row. 

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NICE GUY JOHNNY

Bruce Springsteen. Van Morrison. Talking about my favourite musicians is easy. When it comes to films, especially in this day and age, it's harder. Because the writer's voices get diluted, the directors visions get fragmented into the wishes of twenty people. Finding singular voices is hard. But in an industry of compromised auteurs and pay-cheque hacks, Edward Burns stands strong. I LOVE his movies. They're not for everybody, in fact they're hardly seen by anybody -- but he has his niche. We are in an era where you can build a career around your niche.

This film is about that precise moment in your life when you have to make a decision --- follow your dreams, or compromise. On the one hand, Johnny (Matt Bush) can continue his job as a late night sports show presenter on the radio, or on the other hand he can go to New York and take the job with his fiancee's father. The job is depressing, but he'd earn $50,000 and keep his wife-to-be happy. And Claire (Anna Wood) terrifies me, because she's the girl I fear I'll end up with. The one who would say "Take the job at the cardboard factory, I only want you to do it because I love you!". Aghhh; it scares the hell out of me. That's why I'm so useless at relationships, cause I'm terrified they'll erode my creativity, make me turn into something else.

Turning into something else is the easy route, the path of least resistance. That's why the film rings so true. The hardest thing in the world for Johnny is to stand up and say "I'm a radio DJ! I earn no money but THIS IS MY DREAM!". He can't do it. Instead; the whole film is about him faltering under the pressure of people who think his dream should be something else; they think it should be the cardboard job and a huge pay-cheque.

Uncle Terry (Edward Burns) is flawed, he's not perfect. But he's a guy who can see his nephew Johnny is having the soul ripped out of him. Edward Burns is a great actor; especially when he's in his own films; every friggin' moment rings true. That's the thing with all the characters in this movie. I feel like I know them, I want to hang out with them, maybe I even want to be them. That's what a great movie is -- when you look up at the screen and think yes, that is me. That's fucking me! There I am! That's my journey, that's my struggle!

It's about the actors. That's not always true in Hollywood, because often the concept is king. But in 'Nice Guy Johnny', it's the actors domain. Whenever I see Matt Bush and Kerry Bishé on screen, I feel like I know them. That's a weird thing to say, because I've only seen Kerry in three movies (the others being 'Red State', and another Ed Burns film, 'Newlyweds'). In 'Newlyweds', she's a messed up bitch; has all sorts of issues. In 'Nice Guy Johnny', she's loveable, she's intriguing. But not in a boring way like most movies; but in a complicated way. The same thing with Matt's character --- sure, he's a nice guy to a fault, but you get to see how complicated that is!

My point is that Edward Burns, Matt Bush, Kerry Bishé, they're real actors. They can nail a character, yet you also get a sense of their humanity - who they really are. That's what you get when you see an Edward Burns movie. They're down to earth, they're honest, they're New York. These films will never take over the mainstream, because that's not where the audience is at anymore. But there is an audience for it; a real fan base, and they're hooked.

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The Special Relationship

JEN

We have a special relationship.

TOM

How do you mean?

JEN

Creatively.

TOM

Which means what?

JEN

You should cast me in your movies.

TOM

Oh okay.

JEN

You don't think so?

TOM

What is special about it?

JEN

We have a connection, like, a special understanding.

TOM

So I should cast you in my movies?

JEN

Yes.

TOM

And what will you do for me?

JEN

Act in them.

TOM

That's very nice of you.

JEN

But it is a special relationship. Don't forget I introduced you to that guy at the BBC.

TOM

So what?

JEN

So you should put me in your movies.

TOM

There are also many other actors.

JEN

But they don't understand you like I do.

TOM

Back in the old days; women used to sleep with directors to get a role, now all we get is an insincere compliment.

JEN

That's really hurtful. Don't you believe me?

TOM

As an actor? It's a little forced, if I'm honest.

JEN

How can you say something like that to me?

TOM

I can say anything I want.

JEN

Why?

TOM

Because we have a special relationship.

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