Saturday, 23 June 2012
TOM PETTY - WALLS
Friday, 22 June 2012
My Top 8 ADVENTURELAND Moments
8. SATIN LIVES.
James has just started working at 'Adventureland'. This probably isn't a stand out scene for many people -- I mean, not a lot happens, it's just a bunch of young people hanging around outside after work -- but it really resonates with me. Reminds me of being younger and working shitty jobs; and the only thing that makes it bearable is hanging around outside after work and laughing and talking. It's little moments like this which make it a special movie.
Also the subtle way that Em & James connect in this scene -- it's so real!
7. LISA P IS BACK & "Tops".
Maybe it's the music. The Rolling Stones - Tops, one of my favourite songs. Don't you just LOVE that song!? And Lisa P comes around the corner -- that's another thing that makes the crappy job bearable, the hot girls! Without them how would you survive? And again; it's dumb-subtle things that make me love this movie. Like in this scene; there's just something pathetic and lonely about the characters. They're in their lame 'Games Games Games' t-shirts, working jobs they hate, watching their youth passing by.
6. PALE BLUE EYES.
They're listening to James' 'bummer songs mix tape'; and the track is 'Pale Blue Eyes'; they look miserable as hell! But what a moment. James is looking at Em, trying to figure her out. That's all you ever do when you're that age; look at people and try figure them out. It's clear that Em is going through something. James is in love, no denying it. "Can we go somewhere?" he asks, "yeah," she responds. So they park up under the bridge and get out of the car.
James has the tiniest moment to think about it, then bolts after her-- he's so fast off the mark that the camera struggles to keep up -- it's a wonderful moment, so real. He goes for the kiss. She's taken aback. Great moment.
The scene after is great, too; Joel is completely jealous -- it's not so much what he says, it's the tone of his voice and the look in his eye. Those small and quiet awkward jealousies -- you remember them? I mean, I still get them now; but when you're younger, they're so painful and shape half of your existence!
I love how Martin Starr (who played Joel) acted those moments. I asked Greg Mottola about it recently, he said: "That was something that I talked about with Martin Starr, but never really made explicit in the writing. That's the kind of texture of life that I remember, as opposed to turning it into melodrama."
5. MEN ARE PRIDEFUL CREATURES.
James and Lisa P are getting high. They're having deep conversations, but they're not making much sense, because they're so HIGH! And they're sitting somewhere out in the back of the Adventureland park. The sun is disappearing as it turns into night; and it's just one of those amazing moments that you can't plan --- finding a quiet little spot, having a conversation and watching the world go by.
Again, it's just a subtle thing -- no drama, no action, no tension -- it's just a moment. How often do you get those moments in movies? How often do you get them in life? In films, you get them occasionally in 'Adventureland', or 'Before Sunrise', or maybe a Cameron Crowe movie. But when else? I crave them. As for life; these moments get harder and harder to come across - everyone is so locked in to their devices, to their schedules. Throwing away the plans and indulging in THE MOMENT is one of the best things about life --- and that is exactly----- EXACTLY what this movie is about.
4. UNSATISFIED.
James is heading to New York. He arrives on a bus, and the streets are rainswept. It would be miserable if you allowed it to be miserable, but James is FREE, and he's living LIFE! You see that subtle smile on his face? It's like 'YEAH, I'm in NEW YORK!' --- I get that EXACT look, that precise feeling -- and the funny thing is that, when I arrive in New York, there's every chance I'm listening to 'Unsatisfied' by The Replacements in my headphones, which is what makes this moment resonate with me even more.
3. THE HAT IS GLUED ON?
Joel gets hit in the face. James stands up for him and punches the guy. Then he realises, holy shit, this guy is much bigger than me! A chase pursues and James eventually makes it back to the main office -- where his bosses are doing some paperwork. Bobby (Bill Hader) knows exactly what to do. It's one of those pure movie moments, absolute magic. Highly unrealistic; but because it's a flick, you go with it. He picks up his baseball bat and heads outside to take on the thugs. "Just give me one good reason! You don't know what I'm capable of!" Then he heads back to the office, as if nothing happened.
2. JUST LIKE HEAVEN.
Bumper cars! They're smiling! They're young! The camera-work is dizzying, and The Cure's 'Just Like Heaven' sounds triumphant! This scene just takes me directly back to every single moment of my life that's ever been FUN!
1. DON'T DREAM IT'S OVER.
I didn't even like this song before I saw the movie, I always found it annoying! Now it's one of my favourites. How to describe why I like it? It's near impossible. Like in so much of this movie, nothing happens; it's just a feeling, a moment; a slice of life.
James, Em & Joel are hanging out -- it's thanksgiving; and then the fireworks start just as the Crowded House song 'Don't Dream It's Over' is beginning -- and there's Joel again, looking on jealously. Ouch! I know that look, I lived that. And then there's James and Em, looking up at the sky and then, for that small moment, the whole universe makes sense. I know that feeling, too!
Ohhhh man, I just relate to it! It resonates! Reminds me of myself, my youth, those moments that meant so much but are now consigned to history, just like the era this movie is set in. What did it all mean? How much of it do you carry with you? How likely are we to find these connections again?
It's an age thing. One day you're in the moment every single darn second, and then before you know it, you're grown up and numb.
This scene is magic. And I'm doing a terrible job of explaining why, it's just some kind of alchemy. A director who trusted himself enough to make it about the little things; and actors who are comfortable enough to just live the moment, to make it about the tiny glances.
James has just started working at 'Adventureland'. This probably isn't a stand out scene for many people -- I mean, not a lot happens, it's just a bunch of young people hanging around outside after work -- but it really resonates with me. Reminds me of being younger and working shitty jobs; and the only thing that makes it bearable is hanging around outside after work and laughing and talking. It's little moments like this which make it a special movie.
Also the subtle way that Em & James connect in this scene -- it's so real!
7. LISA P IS BACK & "Tops".
Maybe it's the music. The Rolling Stones - Tops, one of my favourite songs. Don't you just LOVE that song!? And Lisa P comes around the corner -- that's another thing that makes the crappy job bearable, the hot girls! Without them how would you survive? And again; it's dumb-subtle things that make me love this movie. Like in this scene; there's just something pathetic and lonely about the characters. They're in their lame 'Games Games Games' t-shirts, working jobs they hate, watching their youth passing by.
6. PALE BLUE EYES.
They're listening to James' 'bummer songs mix tape'; and the track is 'Pale Blue Eyes'; they look miserable as hell! But what a moment. James is looking at Em, trying to figure her out. That's all you ever do when you're that age; look at people and try figure them out. It's clear that Em is going through something. James is in love, no denying it. "Can we go somewhere?" he asks, "yeah," she responds. So they park up under the bridge and get out of the car.
James has the tiniest moment to think about it, then bolts after her-- he's so fast off the mark that the camera struggles to keep up -- it's a wonderful moment, so real. He goes for the kiss. She's taken aback. Great moment.
The scene after is great, too; Joel is completely jealous -- it's not so much what he says, it's the tone of his voice and the look in his eye. Those small and quiet awkward jealousies -- you remember them? I mean, I still get them now; but when you're younger, they're so painful and shape half of your existence!
I love how Martin Starr (who played Joel) acted those moments. I asked Greg Mottola about it recently, he said: "That was something that I talked about with Martin Starr, but never really made explicit in the writing. That's the kind of texture of life that I remember, as opposed to turning it into melodrama."
5. MEN ARE PRIDEFUL CREATURES.
James and Lisa P are getting high. They're having deep conversations, but they're not making much sense, because they're so HIGH! And they're sitting somewhere out in the back of the Adventureland park. The sun is disappearing as it turns into night; and it's just one of those amazing moments that you can't plan --- finding a quiet little spot, having a conversation and watching the world go by.
Again, it's just a subtle thing -- no drama, no action, no tension -- it's just a moment. How often do you get those moments in movies? How often do you get them in life? In films, you get them occasionally in 'Adventureland', or 'Before Sunrise', or maybe a Cameron Crowe movie. But when else? I crave them. As for life; these moments get harder and harder to come across - everyone is so locked in to their devices, to their schedules. Throwing away the plans and indulging in THE MOMENT is one of the best things about life --- and that is exactly----- EXACTLY what this movie is about.
4. UNSATISFIED.
James is heading to New York. He arrives on a bus, and the streets are rainswept. It would be miserable if you allowed it to be miserable, but James is FREE, and he's living LIFE! You see that subtle smile on his face? It's like 'YEAH, I'm in NEW YORK!' --- I get that EXACT look, that precise feeling -- and the funny thing is that, when I arrive in New York, there's every chance I'm listening to 'Unsatisfied' by The Replacements in my headphones, which is what makes this moment resonate with me even more.
3. THE HAT IS GLUED ON?
Joel gets hit in the face. James stands up for him and punches the guy. Then he realises, holy shit, this guy is much bigger than me! A chase pursues and James eventually makes it back to the main office -- where his bosses are doing some paperwork. Bobby (Bill Hader) knows exactly what to do. It's one of those pure movie moments, absolute magic. Highly unrealistic; but because it's a flick, you go with it. He picks up his baseball bat and heads outside to take on the thugs. "Just give me one good reason! You don't know what I'm capable of!" Then he heads back to the office, as if nothing happened.
2. JUST LIKE HEAVEN.
Bumper cars! They're smiling! They're young! The camera-work is dizzying, and The Cure's 'Just Like Heaven' sounds triumphant! This scene just takes me directly back to every single moment of my life that's ever been FUN!
1. DON'T DREAM IT'S OVER.
I didn't even like this song before I saw the movie, I always found it annoying! Now it's one of my favourites. How to describe why I like it? It's near impossible. Like in so much of this movie, nothing happens; it's just a feeling, a moment; a slice of life.
James, Em & Joel are hanging out -- it's thanksgiving; and then the fireworks start just as the Crowded House song 'Don't Dream It's Over' is beginning -- and there's Joel again, looking on jealously. Ouch! I know that look, I lived that. And then there's James and Em, looking up at the sky and then, for that small moment, the whole universe makes sense. I know that feeling, too!
Ohhhh man, I just relate to it! It resonates! Reminds me of myself, my youth, those moments that meant so much but are now consigned to history, just like the era this movie is set in. What did it all mean? How much of it do you carry with you? How likely are we to find these connections again?
It's an age thing. One day you're in the moment every single darn second, and then before you know it, you're grown up and numb.
This scene is magic. And I'm doing a terrible job of explaining why, it's just some kind of alchemy. A director who trusted himself enough to make it about the little things; and actors who are comfortable enough to just live the moment, to make it about the tiny glances.
Between What's Flesh and What's Fantasy: The Effect of Film and TV on my Relationships
I have always been inclined to watch the more down to earth, 'realistic' films. Not that such a thing exists, but that's always been where my interest lies. I'm interested in human relationships. And of course, when you love a TV show or film, you tend to say "I relate to that". You see yourself in C.C Baxter or Ross Geller or Annie Hall, and it means something to you.
The characters on the screen get resolution. They figure things out inside of two hours. You begin to get used to seeing relationships resolved in this way. And that leads us to my central problem when it comes to my relationships, especially with women.
I over-romanticise them. See them as more than they are.
I have always seen life as being like a movie. Struggles and conflicts with an over-arching theme, where we all come together in the end. This view is often how I've conceptualised my relationships, and I'm now realising how nonsensical it is. It hit me a few weeks ago, on the train. I'd convinced myself that a beautiful woman on the carriage was interested in me. And then it dawned on me, that I think this nearly every day, and convince myself that these intriguing looking women on the tube are attracted to me, when in reality they haven't noticed me. I realised this is a pattern I have repeated in my head for years and years. You could say it's healthy daydreaming, or a way to pass time on the commute, but it's not. And there's always the disappointment of course when they leave the train and it dawns on you that they're completely unaware of your existence.
Then there's the women I do actually know. And I guess because most of the friends I make these days tend to be in my industry, a lot of them are beautiful actresses. I over-romanticise these relationships to hilarious effect. I like to believe I often have a 'special' relationship with people. That somehow things mean more between us than perhaps they do with other people.
In these past few weeks I have been taking myself to task on these nonsensical pathological thought processes; digging deeper into the inner workings of my mind, especially regarding relationships. It's my ego, liking to see me as special in some way, like the people in my life have some special bond to me.
I always loved 'Dawson's Creek' and 'Ally McBeal'. I still do. In the Creek, hearts would break and people would hurt, but at the end of the episode they'd walk down to the lake and share their feelings and true intentions, to the sound of lovely piano music. In McBeal, John Cage or Billy Thomas would come back to the office at night to check in on Ally, and together they'd share a profound moment, where life made total sense.
I have been chasing these moments all of my adult life, but they don't exist, because they aren't real.
And they stop me doing the work! Stop me paying attention to what's really happening in front of me with other human beings. I float along in a fantasy land believing, despite my disconnect with a person, that deep down we get each other, or need each other.
I have been caught out numerous times when it comes to love. I add up all the numbers and see connection and meaning in places where it doesn't exist. I believe in this old world romance, which in the reality of the moment exists only in my brain. Rather than have true, in the moment relationships, I dream them up; fractured and lost from what's really happening in front of us, I instead live out a romanticised version that I created in my head, which is nothing more than a repeated pattern, an ingrained delusion.
The characters on the screen get resolution. They figure things out inside of two hours. You begin to get used to seeing relationships resolved in this way. And that leads us to my central problem when it comes to my relationships, especially with women.
I over-romanticise them. See them as more than they are.
I have always seen life as being like a movie. Struggles and conflicts with an over-arching theme, where we all come together in the end. This view is often how I've conceptualised my relationships, and I'm now realising how nonsensical it is. It hit me a few weeks ago, on the train. I'd convinced myself that a beautiful woman on the carriage was interested in me. And then it dawned on me, that I think this nearly every day, and convince myself that these intriguing looking women on the tube are attracted to me, when in reality they haven't noticed me. I realised this is a pattern I have repeated in my head for years and years. You could say it's healthy daydreaming, or a way to pass time on the commute, but it's not. And there's always the disappointment of course when they leave the train and it dawns on you that they're completely unaware of your existence.
Then there's the women I do actually know. And I guess because most of the friends I make these days tend to be in my industry, a lot of them are beautiful actresses. I over-romanticise these relationships to hilarious effect. I like to believe I often have a 'special' relationship with people. That somehow things mean more between us than perhaps they do with other people.
In these past few weeks I have been taking myself to task on these nonsensical pathological thought processes; digging deeper into the inner workings of my mind, especially regarding relationships. It's my ego, liking to see me as special in some way, like the people in my life have some special bond to me.
I always loved 'Dawson's Creek' and 'Ally McBeal'. I still do. In the Creek, hearts would break and people would hurt, but at the end of the episode they'd walk down to the lake and share their feelings and true intentions, to the sound of lovely piano music. In McBeal, John Cage or Billy Thomas would come back to the office at night to check in on Ally, and together they'd share a profound moment, where life made total sense.
I have been chasing these moments all of my adult life, but they don't exist, because they aren't real.
And they stop me doing the work! Stop me paying attention to what's really happening in front of me with other human beings. I float along in a fantasy land believing, despite my disconnect with a person, that deep down we get each other, or need each other.
I have been caught out numerous times when it comes to love. I add up all the numbers and see connection and meaning in places where it doesn't exist. I believe in this old world romance, which in the reality of the moment exists only in my brain. Rather than have true, in the moment relationships, I dream them up; fractured and lost from what's really happening in front of us, I instead live out a romanticised version that I created in my head, which is nothing more than a repeated pattern, an ingrained delusion.
Thursday, 21 June 2012
Brain Craze
Write something!
But I have nothing to say right now.
There must be something! Write about the film you just watched. Write about the changing face of film distribution. Write that short story about two people who meet by chance in a cinema.
I keep trying to write them, but there's no juice right now!
A good writer writes every day.
I need to refuel sometimes!
You are not as successful as you should be, you don't get successful unless you write the amazing material!
You also don't get successful if you burn out by constantly churning things out!
So you want rest?
I want rest.
But you're always resting!
No I'm not. You're always in my head, you never let me chill!
Then go rest. Go for a walk in the field. Go do it now. Go get some nature and find it inspiring then turn it into a story and a screenplay and get a new agent and start production.
You're not making me feel rested.
There are great writers who never rested! There were great writers in concentration camps! People just write write write; yet you need time to rest? To think of ideas? You're pathetic.... WRITE WRITE WRITE!
Who are you? Are you my boss? My muse? Or just a mental disorder?
I am the you that wants you to succeed! I am what drives you. DO SOME WRITING NOW!
NO YOU DO NOT INSPIRE ME YOU JUST PRESSURE ME AND SOMETIMES I NEED TO JUST DRINK A CAN OF COKE AND SAY "WHAT THE FUCK".
So you think I'm pointless?
No, I just think you channel your messages in the wrong way. I need an inner support system, I need to be heard! I need my inner child to come alive! I need to be able to feel my way through ideas. I need to be able to have a thought without you ripping it apart to force ideas from it.
Comments from the Front Row - June 2012
A strong opinion on 'TUPAC SHAKUR's Lasting Legacy'
The other issue I have is that people do not separate the artist from the person. Roman Polanski, brilliant filmmaker, shitty person. In Tupac's case, so-so artist, shitty person and criminal. In my opinion, Tupac failed to excel both as a person or an artist. Trust me, many artist quietly agree with me, but feel that saying so would besmirch his memory. I don't know why more people do not stand behind their opinions. It is what it is, so why not acknowledge it.
These are my opinions, and I do respect the opinions of others, so hopefully I won't get any ignorant hate responses.
By the way, I'm publishing as "anonymous" because I have only two options and the other didn't apply."
DAVE: " Man, I love this list. Kristen Stewart may be more your most daring inclusion, but I couldn't agree more."
AINHOA APARICIO MONFORTE: "I must say that I am a bit fed up with Stewart. Some of it has to do of course with the Pattinson-vampyre furore as well. I watched Twilight out of curiosity and against my best judgement by illegal means the week it came out. I found Pattinson's acting a disgrace and Stewart's job, mediocre at best (something like an overacted underacting) whereas the supporting cast was pretty good. However, I am ready to believe that she may be competent in other stuff. After all even misguided overacted underacting requires some skills. In addition, if Pattinson has succeeded to achieve something with Cronenberg (I am told. Not been able to check. I live in the coutryside.) I am ready to believe in Stewart's potential."
DAVE ENKOSKY: "Wow, very unconventional list. I'm glad you went with your gut rather than going with the obvious critical consensus favorites."
ANONYMOUS: " I enjoy all the actresses on your list, including Stewart. I don't understand the hate for her, but I am curious about the actresses who hate her, especially as many of the older actresses she's worked with, like Jodie Foster, Mellisa Leo, Catherine Keener, etc. seem to have championed her. "
Responses to my post on the BBC documentary 'Hitler's Children'.
KIRSTEN: "I recently read about these descendants and it was a truly touching story. It does make you wonder about all these horrific things that have been perpetrated by humans. We like to think of them as monsters but at the end of the day we have to realise and acknowledge that they were people just like us, and that's where the true lessons lie – how is it that ordinary people could support and even participate in such horrors? And how do people like Hitler come about? How much hate needs to be built up within one person to turn him/her into such a monster?
My family was touched by WW2 as well, but since we're from Southeast Asia it wasn't about the Germans and more about the Japanese.
When they came to Singapore there was an effort to exterminate as many Chinese as they could. They told the Chinese to report to Changi Beach. Many of my grandfather's uncles, cousins, friends and neighbours went and never came back – it was later discovered that they had been lined up on the beach and shot. My grandfather's family escaped because they were warned by their Malay friends not to go, and because they spoke Malay they were able to disguise themselves and live among the Malays.
I always loved listening to my grandfather's experiences, and the way he has processed them. Sometimes he would speak of the cruelty and you can see the anger – at those times he would always refer to the Japanese occupiers as "those bastards".
But other times he would talk about the officers who taught him Maths, marveling at their skill and the way they held their classes. He would tell me about how he used to play the violin at the soldier's camps in exchange for food for his village. He would play their old Japanese folk songs and they would cry because at the end of the day they were just men who wanted to go home. Although he was angry at them for the horrible things that they did, he was also able to recognise that not all of the Japanese were bad people, they were just people caught up in a horrible time. And I think that has helped him to move on in a way, instead of being caught up in resentment and hate.
I remember once he told me, "I will never forget, but I can forgive.""
BUFFALO CHUCK: "It's interesting to see Japan has taken a polar-opposite approach. Cover-up, deny, lie, avoid, don't teach, don't admit and don't allow anyone with expert knowledge do it either.
Two choices made by two protagonists. I'd always tell the Germans to consider the Japanese option, and hold your heads high because the Germans made the better choice."
HELENA HALME: "I'm fascinated by this subject too, especially as we Finns first sidled with Germans in WW 2 because we were attacked by the Russians who were on the other side. Even so, Germans did some terrible things to Finns, and many older people won't still have any German tourists in their shops etc. in the countryside. When I was younger I had a German boyfriend who talked to me about his guilt - his grandfather had been in the war but not a Nazi. Still, he felt a real responsibility for what his country had done.
Excellent post as always."
On my review of Tom Petty at the Royal Albert Hall.
JASON EVERSON: "I just got back home. 20+ years I've been waiting to see Tom Petty. He was part of my reckless youth and, I'm happy to say, part of my reckless no longer youth. But, his songs, they were there - good times, break-up, cock ups. A lot of them are deeply entwined in my psyche. A lot of feelings came back in that gig tonight. Things I thought I'd forgotten leapt out like it was yesterday. Yeah. I even had tears in my eyes and a lump in my throat, I admit it. Songs pin us to time. Tom Petty's songs enmesh us in it even deeper. I still feel overwhelmed. That was one of THE best performances of any artist and group that I've been to. Why it took 20+ years, I will never know.
Aside from all that, the guy taught me to play guitar, and he doesn't even know it."
HAPPY FROG & I: "First off I'm so glad you managed to get a ticket. When I read your previous post about Tom Petty I felt gutted for you. Your review is so full of the passion you feel for Tom's music and why you wanted to be at the gig that I read it twice. Thanks for brightening up my Thursday evening in rainy Reading."
ANONYMOUS: ""Was he a bad guy? Probably" It was a certainty!! Tupac was a criminal and a mediocre artist - in my opinion. I knew Tupac Shakur and I'm sure he would agree with me at least on how shitty of a person he was and he certainly couldn't argue the criminal aspects of his life. Still, having had known him doesn't change what he was for me. Tupac was a troubled young man with a forum to impress his views upon others and talk about the world as he saw it. He was not a forgiving person, nor did he ask for any forgiveness. A young man that knew enough about himself that he was able to see how he would die.
The problem is that no one ever comes to see the "beauty" or find the love they have for an artist till the artist is gone - as in the case of Houston, Jackson and Tupac. Before he died, I maintained this opinion about Pac and after he died, I saw no reason to change it.
The other issue I have is that people do not separate the artist from the person. Roman Polanski, brilliant filmmaker, shitty person. In Tupac's case, so-so artist, shitty person and criminal. In my opinion, Tupac failed to excel both as a person or an artist. Trust me, many artist quietly agree with me, but feel that saying so would besmirch his memory. I don't know why more people do not stand behind their opinions. It is what it is, so why not acknowledge it.
These are my opinions, and I do respect the opinions of others, so hopefully I won't get any ignorant hate responses.
By the way, I'm publishing as "anonymous" because I have only two options and the other didn't apply."
On Kristen Stewart being in my top 10 actresses list.
DAVE: " Man, I love this list. Kristen Stewart may be more your most daring inclusion, but I couldn't agree more."
AINHOA APARICIO MONFORTE: "I must say that I am a bit fed up with Stewart. Some of it has to do of course with the Pattinson-vampyre furore as well. I watched Twilight out of curiosity and against my best judgement by illegal means the week it came out. I found Pattinson's acting a disgrace and Stewart's job, mediocre at best (something like an overacted underacting) whereas the supporting cast was pretty good. However, I am ready to believe that she may be competent in other stuff. After all even misguided overacted underacting requires some skills. In addition, if Pattinson has succeeded to achieve something with Cronenberg (I am told. Not been able to check. I live in the coutryside.) I am ready to believe in Stewart's potential."
DAVE ENKOSKY: "Wow, very unconventional list. I'm glad you went with your gut rather than going with the obvious critical consensus favorites."
ANONYMOUS: " I enjoy all the actresses on your list, including Stewart. I don't understand the hate for her, but I am curious about the actresses who hate her, especially as many of the older actresses she's worked with, like Jodie Foster, Mellisa Leo, Catherine Keener, etc. seem to have championed her. "
Responses to my post on the BBC documentary 'Hitler's Children'.
KIRSTEN: "I recently read about these descendants and it was a truly touching story. It does make you wonder about all these horrific things that have been perpetrated by humans. We like to think of them as monsters but at the end of the day we have to realise and acknowledge that they were people just like us, and that's where the true lessons lie – how is it that ordinary people could support and even participate in such horrors? And how do people like Hitler come about? How much hate needs to be built up within one person to turn him/her into such a monster?
My family was touched by WW2 as well, but since we're from Southeast Asia it wasn't about the Germans and more about the Japanese.
When they came to Singapore there was an effort to exterminate as many Chinese as they could. They told the Chinese to report to Changi Beach. Many of my grandfather's uncles, cousins, friends and neighbours went and never came back – it was later discovered that they had been lined up on the beach and shot. My grandfather's family escaped because they were warned by their Malay friends not to go, and because they spoke Malay they were able to disguise themselves and live among the Malays.
I always loved listening to my grandfather's experiences, and the way he has processed them. Sometimes he would speak of the cruelty and you can see the anger – at those times he would always refer to the Japanese occupiers as "those bastards".
But other times he would talk about the officers who taught him Maths, marveling at their skill and the way they held their classes. He would tell me about how he used to play the violin at the soldier's camps in exchange for food for his village. He would play their old Japanese folk songs and they would cry because at the end of the day they were just men who wanted to go home. Although he was angry at them for the horrible things that they did, he was also able to recognise that not all of the Japanese were bad people, they were just people caught up in a horrible time. And I think that has helped him to move on in a way, instead of being caught up in resentment and hate.
I remember once he told me, "I will never forget, but I can forgive.""
BUFFALO CHUCK: "It's interesting to see Japan has taken a polar-opposite approach. Cover-up, deny, lie, avoid, don't teach, don't admit and don't allow anyone with expert knowledge do it either.
Two choices made by two protagonists. I'd always tell the Germans to consider the Japanese option, and hold your heads high because the Germans made the better choice."
HELENA HALME: "I'm fascinated by this subject too, especially as we Finns first sidled with Germans in WW 2 because we were attacked by the Russians who were on the other side. Even so, Germans did some terrible things to Finns, and many older people won't still have any German tourists in their shops etc. in the countryside. When I was younger I had a German boyfriend who talked to me about his guilt - his grandfather had been in the war but not a Nazi. Still, he felt a real responsibility for what his country had done.
Excellent post as always."
On my review of Tom Petty at the Royal Albert Hall.
JASON EVERSON: "I just got back home. 20+ years I've been waiting to see Tom Petty. He was part of my reckless youth and, I'm happy to say, part of my reckless no longer youth. But, his songs, they were there - good times, break-up, cock ups. A lot of them are deeply entwined in my psyche. A lot of feelings came back in that gig tonight. Things I thought I'd forgotten leapt out like it was yesterday. Yeah. I even had tears in my eyes and a lump in my throat, I admit it. Songs pin us to time. Tom Petty's songs enmesh us in it even deeper. I still feel overwhelmed. That was one of THE best performances of any artist and group that I've been to. Why it took 20+ years, I will never know.
Aside from all that, the guy taught me to play guitar, and he doesn't even know it."
HAPPY FROG & I: "First off I'm so glad you managed to get a ticket. When I read your previous post about Tom Petty I felt gutted for you. Your review is so full of the passion you feel for Tom's music and why you wanted to be at the gig that I read it twice. Thanks for brightening up my Thursday evening in rainy Reading."
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