Saturday, 29 September 2012

THE LOTTERY OF BIRTH Review - Documentary - Raindance Film Festival 2012

My brain hurts. It hurts because of how much this movie made me think. And it hurt even more when I began trying to figure out how I would review it. 

You have to be paying attention when you watch 'The Lottery of Birth'. There's no dumbing down, no spoon feeding you. It's a film that relentlessly sets out to challenge your perceptions and view of the world. It's a documentary that takes what you think you know and shows you how you know very little. It could so easily have been pretentious, or preachy, or boring-- yet somehow, it manages to tread that line perfectly. It doesn't make you feel dumb, it makes you feel enlightened - which is exactly what you want from a documentary.

So what is it about? Don't expect me to explain; my brain still hurts too much! Let's all watch the trailer to get a feel for it: 


Depending on where you're born, you have certain privileges, certain obstacles, certain opportunities. Your outlook, your inner state, your beliefs; they're shaped by the environment you're in. And we all conform to roles almost as quickly as we're born. And school drills into us a certain way of thinking, a way of viewing other nations, a way of perceiving history. One of the most startling moments in the film is when it lists fifty nations that the USA has tried to overthrow since World War 2-- and many of them were democracies. One of the big points the film makes is that, we all feel like we're on the side of the angels. We like to believe that our nation is the one in the right, the one with great values. 'The Lottery of Birth' takes a look at how our brains are wired to think in a certain way, based on the way we've been socialised. 

This film is a wake up call. 

And the interview subjects are fascinating. The late Howard Zinn is mesmerizing; as are all the others. 

This is a documentary that, with a mere establishing shot of a London city office or a New York City street, makes you realise how brainwashed we are, how easily we allow ourselves to be obedient. I related to this documentary in a big way because it voiced a feeling I've had eating away inside of me for a long time, that I've never been able to formulate into words or coherent thoughts. It just shows you how powerful a documentary can be. It's like a switch has been turned on, the electricity is flowing -- now I can begin to look at the world in a way that I've been working my way towards without direction. 'The Lottery of Birth' is the beginning of a new way of approaching things. 

Yesterday, during a screening of 'Loveless Zoritsa' I was getting pissed off with the woman next to me who was constantly scribbling notes --- it bugged the hell out of me! But today, as I watched 'The Lottery of Birth', I wanted to be taking notes so badly! There was so much to take in, so much to learn, endless things to ponder. 

I'll need to watch this film another three times to take it all in. Problem is, when, and where? Documentaries never have a certain path. After Raindance, we don't know when we'll see it again. Luckily, the filmmakers are intent on it reaching a wide audience. They said during the Q+A that the important thing is that it gets seen, even if people can't afford cinema tickets or to purchase it on demand. How refreshing! Film distribution is changing -- and it's very likely that the producers who are open to giving their films away for free may end up being the winners. 

The important thing is that 'The Lottery of Birth' gets seen. I'm fully aware that despite my praise, this review doesn't give much detail about the content of the film. I go back to my initial words -- my brain hurts. This is a talking heads documentary that takes up more neurons in your brain than a hundred Hollywood flicks combined. Sound like hard work? It is. But it's worth it. 



I don't know when you'll get a chance to see it, but when you do, make sure you don't miss it. 

Additional Notes: The film is directed by Raoul Martinez and Joshua Van Praag, and it's the first of a four-part 'Creating Freedom' documentary project. Keep an eye on this series, because it may end up changing your life. 

Care to share?

Friday, 28 September 2012

'LOVELESS ZORITSA' (Crna Zorica) - Raindance Film Festival 2012

LOVELESS ZORITSA (Original Title: Crna Zorica) is a unique, engaging and at times, hilarious film directed by Christina Hadjicharalambous and Radoslav Pavkovic, who were both at the Apollo Cinema in Picadilly Circus tonight for the international premiere of the film.

A Serbian film, co-produced with Poland, Cyprus and Greece (with much of the post-production being done in these countries), 'Loveless Zoritsa' is one of the more bizarre and unusual films you're likely to see this year.

Many men fall in love with the beautiful Zoritsa. The only problem is -- she's cursed. Any man who loves her-- at worst, dies instantly and at best, is severely paralysed. Why does all this happen? Because when Zoritsa was born, she was the first female in her family to be born without a moustache. And to be female and born into this family without a moustache, is a bad omen. 

Sound crazy? It is, yet somehow, it works. The film is shot beautifully --- and you can't help but be swept away into the bizarre Balkan world of crazy locals and inept policemen. It's a world that could so easily have been too far fetched and unbelievable, yet luckily it keeps you compelled.

My only gripe was that the ending crossed my mind much earlier in the film, leaving things a little anti-climatic for me. Hopefully that won't be true for most viewers, but then, even if it is, there is much to enjoy about the film.

The film runs at a comfortable 80 minutes, which is just about right for a film that isn't to be taken too seriously. A light and enjoyable insight into a side of Serbian culture most of us know nothing about (a few Serbian audience members understood the movie a little better than British viewers, not that it detracted from our enjoyment), it's definitely worth seeing for its uniqueness. There's also a strong and intriguing performance from Ljuma Penov, along with a whole host of memorable faces and performances from actors who, we were told, are very famous in Serbia. But it's definitely Penov who stands out the most in a role that is far more crazy, exciting and mysterious than what Hollywood actresses usually get to play. 

'Loveless Zoritsa' is still searching for international distribution. Judging by the audience reaction at tonight's sold out premiere, it should have no problem finding an audience.

Care to share?

The 20th Raindance Film Festival Begins

Actually it began yesterday. I was out of town and my pass hadn't been arranged. But now I'm here, and I'm excited.

Everyone is here because they love great movies. You're surrounded by people who are fascinated by obscure Slovenian movies and films made for £3000 by 18 year olds. It's not that anyone has anything against superhero movies, it's just that we never have any trouble finding them.

You come to raindance because you have a genuine chance to be a part of a wonderful cinematic experience that you'll have trouble replicating anywhere else.

And of course, the cast and crew are in the audience, the families are here. You never know how things will go -- will a masterpiece play to an empty cinema? Will a piece of crap bore a packed house?

When films play in a festival, they're alive! More like a band playing a nervous gig than a solid filmic product.

So many of the films I'll be writing about over the next week and a bit will be international premieres of movies you've never heard of. And that's exciting. Those of us in attendance have the opportunity to share with you the gems that we find.

The Raindance Film Festival began in a small and humble way, and it still has that feel. The organizers are accessible, the audience down to earth and excited. Yet Raindance is at the heart of the British film industry. And in the short film categories, one film from the festival will go on to be shortlisted for an Academy Award. Isn't that exciting!? I think so.

I won't be reviewing every film I see, that's not really my thing. But I'll tell you about the best ones and probably moan about the bad ones. Outside of that, I hope to give you all an insight into what it's like at the Raindance Film Festival this year. If you happen to be in London, you can buy tickets at the Raindance Website

Care to share?

Thursday, 27 September 2012

Jack Kerouac's On The Road

It's my favourite book. And now the movie's coming out.

The magic of the book, for me, is in the language. Kerouac's use of words, his epic mystical ramblings that light up your SOUL! I've never known anything like it. The book is a big joy for me every time I read it.

And I like MY vision. The Denver in my imagination, the sweet little Marylou I picture.

I worry that, if I watch the movie, then I'll never be able to fully enjoy my vision again, what do you think?

This might seem trivial but to me, it's important! The art that we love carries us through life.  When people grow up loving Tom Hanks or John Wayne or Audrey Hepburn, it becomes a part of their identity.

And you are what you read.

And I'm not a bible reader-- instead I have books like 'On The Road' and they fill me up good. But what if I hate the film but the images stick with me? What if I can never get back the 'On The Road' that I love?

On the other hand, I'm so curious to see what they've done. To see what it looks like.

But anyway, I don't even see what's appealing about Jack Kerouac on the big screen? It was all about the words. The journey you go on in your mind. Turning his words into cinematic interpretations, no way will it be as good!

I brought this up on the Facebook page a few weeks ago, and everyone said I should go see it, but should I? How often are the adaptations great? And this isn't just a book I like, it's my favourite one! I love every darn word I come across in that thing and all the places it takes me.

I don't want to lose any of that. But at the same time, it's fascinating that they've made the movie. I'm curious to see it, I want to know what they did. But I don't want to lose my vision of it--- but I fear the experience of the movie will forever infect my imagination on future reads. What should I do?

Care to share?

Tuesday, 25 September 2012

30 Tips To Get You Writing Your Screenplay

1. Set a timer on your phone. Let's say an hour. Sit and don't do anything for that hour. Don't look at your phone again, don't turn on the TV. Don't tweet. It's just you and the chair. Don't write down ideas that come to you, don't do anything. Sit, think, dream. But no action. 

As creative people we often snap into action the second we feel we have a seed of an idea. So often, it's a false alarm, a restless brain. Take the time to sit with your ideas. If you want to write them down, tough. Not during this hour. 

2. Write a feature film in less than an hour, by outlining it scene by scene as it comes into your brain. Like this:

MARK is at the office, bored and depressed. 
SALLY is working a double shift at the cake shop. She hates it. 
MARK walks into the CAKE shop. He's depressed. SALLY tells him to buy a cake. He does so.
MARK walks out of the store, wishing he'd got her number. 
The cake shop EXPLODES. 
MARK sprints inside, he hunts for SALLY in between the flames. 

The example above is me being silly -- that wouldn't make a good film at all. But a good shortcut with writing is just to outline ideas as they come to you. To throw caution to the wind. Don't write a masterpiece, just find the next sentence. 

Before you know it, you've outlined a whole movie. If it sucks, who cares? You've lost nothing but an hour or two. If it's good? Go back to it and build from it. 

3. Write a bad script. Even if your ideas are AWFUL, or NON-EXISTENT, write it anyway. You'll learn from it. Some people spend five years writing no scripts because their ideas aren't good enough. But in fact, if you wrote 15 bad scripts in that time, you'd learn so much about yourself and your writing. 

4. Quit. Go do something else. Become a shepherd, get into a relationship with a trout. If you quit for good, then it probably wasn't for you -- but if you come back to it some day, then maybe the break is exactly what you needed. Some people write their masterpieces in their 70's. Some people have great talent, but have nothing to say. Rather than sitting in your room trying to force a script out, go volunteer in Africa. Go visit a friend in France. Anything is better than sitting around not writing

5. Be around people who make you laugh. 

6. Do things that make you uncomfortable. Just past your comfort zone is where you have the interesting experiences, and meet people that you didn't think you'd ever come across. 

7. When a friend asks you to do something that you don't want to do --- instead of making the excuse that you're tired, or have work in the morning, say 'yes' to the offer and go and do the thing you don't want to do. 

8. Work on the script that's been circling around your brain since you were 13. You know the one; the script you've been destined to write because it's so personal yet have always stayed away from because you don't have enough clarity. Attack it like you know exactly what to write. And guess what, you do know how to write it, you're just a scaredy cat. That's right. 

9. Realise your inner-critic has absolutely no jurisdiction over your life. What has it ever done? All it does is shout at you from some self-righteous position within your own brain. Tell it to go for a long walk. You can actually train yourself to listen to your inner-critic. You'll actually hear that voice in you that says, "you suck, you're a fraud, you have no talent", or maybe it's worse, maybe it says, "your parents were right, you're a waster, and your girlfriends that dumped you had the right idea too....". 

Stop and think for a minute. With that voice in your head, you'll never get any work done.

You have to understand that the inner-critic is there to save you from perceived threats, from embarrassing yourself. But when you're 89 and dead, you won't regret being embarrassed. But you will regret not writing a script because some bitch on Facebook thought you had no talent, and you'll regret not sending your script to a producer just because an inner voice said you're talentless. 

Get your act together and stop listening to that bullshit. It's nonsense. 

10. Take a moment to look around, breath; and realise that it's only screenwriting. It's make-believe, a bit of fun. 

11. If you're stuck on a particular script, then write some random scenes for fun. For example, if you're writing a tense FBI thriller; write a scene where your characters are at the zoo for no reason. When your FBI agents and detectives are taken out of their context, and find themselves at a zoo for no reason other than to look at penguins, you'll find yourself amused by them, and you'll see them in a different light. 

It doesn't have to be the zoo. It can be anywhere. Just take your characters out of the story and write a random scene for fun. 

12. Stop asking for people's opinions every five minutes. A lot of people out there will stop you from writing. Sometimes it's jealousy or competitiveness, but mostly it's because --- all people have different ideas. Writing is about having your own ideas, your own vision. EVERYONE THINKS THEY KNOW what a good story is, EVERYONE. Why? Nobody knows. But people will talk you out of anything. 

STEPHEN KING 
I want to write a story about two guys in a prison called Shawshank. It's about hope, and friendship.

BOB
I can't see how that would work.

STEPHEN KING
It'll be great. 

BOB 
No Stephen. A story needs something more interesting -- like a love interest, or maybe a conspiracy at the prison --- maybe, I know, maybe one of the inmates is a former boxer with a drug addiction who wants to join the CIA. 


This is what people are like! They're mental! They think your ideas suck. And even when they think they're good, they'll still offer suggestions! And these things throw you -- because some people can speak so authoritatively. 

Stop asking for opinions and get writing, get it done. 

13. Shut up. Sit down. Write. 

14. Write about the personal stuff. The insecurity you feel when you're around people who intimidate you, or the confidence you feel when you're doing what you love, or the heartbreaks you felt when people left you. I know that stuff is painful, but it's where the gold is. It's where you have to mine for insight. Your experiences are PERSONAL. They're YOUR OWN. But they're also universal. 

If you're not sharing who you really are, then you're not doing a good job. 

15. Get dumped. 

16. Dump someone. 

17. Dump someone. Get back with them. Dump them again. Get into an argument. Propose to them. Make them cry. Get beaten up by their family. 

All that stuff helps. Creativity comes from chaos. 

18. But you can't be your most creative in the midst of chaos. You need to find your place. Your room. Your ocean. Your garden. Wherever it is. You need to find your place where the omens are good, where the world says "Write, and be yourself!" Stop making excuses and make sure you go there to do your work. 

19. Come on, get off of Twitter. Leave Facebook alone. 

"@kidinfrontrow is five pages into my screenplay, YAY."

Who cares? No-one. Don't go for short and quick gratification. Save it for when you can say "I WROTE THE WHOLE BLOODY THING! YEAH!"

Social networks are a distraction. They have their purpose, sure, but they don't help you get into your imagination. Study after study has shown that these distractions stop us from focusing. Neuroscience has proved that we can't multitask, that it takes 25 minutes to refocus after a distraction. 

You can be the exception to the rule if you want, but instead I think you should shut out the distractions and focus on your writing. 

20. Think about dying. Will you say "I wish I had tweeted more", or maybe, "I wish I had done more browsing on the internet of a morning". Or will you wish you had spent more time on your passion, writing? 

21. Realise that your script doesn't have to be perfect. People get huge writers block due to perfectionism. Some of the most imperfect things can be perfect. The mistakes can resonate with people. Don't waste your time fearing it's not the best it can be. Just do what you can, then let go. 

22. Reconnect with an old friend. The one you haven't seen in seven years, who six months ago you emailed about catching up. There's something in those old friendships that, when you re-connect with them, they open up parts of you that you forgot about. There's something warm and exciting about rediscovering who you were and where you've come from. Again, this stuff is a Godsend, writing-wise. 

23. Read/Watch/Study your guilty pleasures. Because they're the things you really love. They hold the key to who you are and what you want to write about. 

24. Use a pen and paper. 

25. Go for a run. Do it regularly. It's good for your health, good for your memory, good for creative ideas, good in every single way. 

26. Get a pad and paper and just write. Write nonsense! Write anything. Just make sure words come out. It's like clearing out the trash --- eventually patterns will form, things will link up -- within the randomness, there'll be a message. 

27. Surround yourself with positive influences. Hang out with friends who love that you're a writer, watch YouTube videos of people who inspire you. Watch movies that you love. Have adventures with people who make you laugh. 

Writing is tough. It's hard work. It's gruelling and there will be so many things in the world that say "you're not good enough", and "you'll never make it!" You have to overcome these by yourself, but it helps to be surrounded by good people who believe in you. 

28. Figure out when you write the best. Is it early in the morning? Is it at night after everyone is asleep? Is it in the afternoon when you're fully awake? 

Think about your eating habits too. Does caffeine make you more, or less creative? Does pasta make you tired? Do you keep getting ideas after eating chocolate? 

Don't get too obsessed with this stuff, but look for patterns. 

29. Find your own voice. 

You do this by writing. A lot. 

And don't be afraid of your influences. Embrace them. You'll sound like them at first, but eventually you'll find your own way. It's all part of the journey. 

30. Realise it's a journey. A long and winding road, full of ups and downs. You have scripts you haven't written yet that will ABSOLUTELY SUCK.

But that's what it is to be a writer. 

Sometimes nobody believes in you, and your shitty writing proves them absolutely right. 

Until you get up again, write something new, and improve a little. 

Bit by bit, day by day. You keep writing. 

You keep finding your voice. 

Write, write, write. 

And enjoy it. Because, as I said, it's a journey.


Care to share?