Tuesday, 16 November 2010

Cinema In Your Country

I've just been looking at the stats for visits to this blog, it's incredible! There is so much diversity here; and I want to know all about you!



Where are you from? What are the cinemas like in your country? Can you tell us something interesting about the film-going experience where you are? Is film an important part of your culture? Are you able to see all the films you're interested in seeing? 


Are good films made in your country? Are they a good representation of you and the people in your nation? 


Please feel free to comment, whether you're a new follower, a passer by, whether you have a lot to say or very little; I think this is a great chance for us to see how we are similar and also how we are different; all around the world.


Wherever you are from, Spain, Russia, Germany, India, Taiwan, Romania, etc-- I'd love to know more about YOU, where you come from, and what films mean to you; and how they are or aren't a part of your culture.

Care to share?

Monday, 15 November 2010

Heights Coffee, Brooklyn, On A Cold Day In November

In 2008 I met a make-up girl called Jenny. She was vegetarian, which almost all make-up artists are. It was 6am and I climbed into the back of a white van on Union Square where the Virgin Store was but isn't anymore. I originally got into another white van but they were for another shoot. In my inexperience of doing crew work in New York I didn't realize that absolutely everyone meets at 6am in Union Square and jumps into white vans to go to film shoots. In fact, if any of you want to work in film but don't know how to get a job I suggest going down to Union Square at 6am and getting in a white van (for legal and common sense reasons I must stress: I don't *actually* recommend doing that). So, I met Jenny, and she was pretty cool, and we kept in touch.

A year later I was back in New York and sitting on Jenny's rooftop somewhere between the Saturday night and the Sunday morning, with a bunch of her friends who were mostly friendly apart from one guy who kept looking at me and repeatedly asking "How do you guys like having healthcare over there?" without ever letting me answer. I didn't realize at the time but when I was sitting on her rooftop I really should have been sitting on a British Airways seat somewhere across the Atlantic. The next morning I was awoken by a phone call from home reminding me that I should have been in London by now. I wasn't on the plane, wasn't in London, and wasn't sure what to do - so I walked over to 7th Ave Station, Flatbush Ave, Brooklyn, and met up with my friend Henrietta; who had only been my friend for about two weeks but she is one of those people who, when you meet her, you just know you're going to know her forever.

I told her that I missed my flight and that I wasn't sure what I was meant to do, so we went for a long walk through Brooklyn and we talked about films and we talked about life and we talked about films some more and eventually we stopped for breakfast, in some place that was near to Park Slope but somewhere further on up the road. We had a conversation that I am certain covered absolutely everything, and then we talked about movies some more and then she told me everything about who she is, where she's been and where she's going and I sat there in awe of how amazing she was and in denial of the fact that I wouldn't be coming back to New York any time soon.

We headed back to Park Slope and we figured I should head back to London. I walked her back to the station except she didn't go in the station because instead we went to Heights Coffee on the other side of the road. She got a coffee because she was thirsty and I got a tea because I'm English and we had another one of those talks that covered absolutely all of life and then I said that we should decide exactly what we're going to do with ourselves in the next year. We decided to write down one very specific career goal each; hers about acting, and mine about writing and directing.

She emailed me today for the first time in a while; and I don't think she realised that we're only a week away from being exactly a year since we spent a day figuring out the world and casting our plans out into the future. She told me about all the wonderful things she's doing and this incredible role she's currently playing; and it made me remember that morning, sitting in Heights Coffee; even though we'd have rather been in Gorilla Coffee but it was way too crowded in there that day. We made big dreamy plans on that cold November morning last year about these things we wanted to achieve in the next year. And you know what? We've achieved more than the goals we set. A year ago we were two dreamers. A year later we're doing the work we always knew we were meant to do. 

I think I'll email Henrietta back.

Care to share?

Sunday, 14 November 2010

BAND OF BROTHERS on Remembrance Sunday

This is a wonderful moment from the final episode of BAND OF BROTHERS. The German Army have surrended at the end of World War 2; and their Officer requests a brief moment to address his men, which he does, with the American soldiers watching on. A beautiful scene; that really hits home the first time you see it.

Care to share?

What If Piracy Really Did Ruin The Industry?

What if, by downloading a movie, it meant that Tom Cruise only got paid $3million instead of $15million? What if we all downloaded pirated films and only bothered to go see films if they were actually good?

What would happen if doing this did completely and utterly ruin the industry? Studios would shut down, director's couldn't afford their big houses and hundreds of actors would decide to take up plumbing. Hollywood is gone and the $100million movie is over.


Everybody goes home - cinema's shut down. Goodnight, and goodbye.

BUT then what? There'd still be cameras. People would keep making films. But what films would they make?

Care to share?

Friday, 12 November 2010

Chicken And Eggs

Do people watch movies because they're ill, or do they get ill so they can stay home and watch movies?

Care to share?

Dealing With Criticism

Here's a question from a blogger member called filmmusic100, who writes this new blog

Although I have such a big heart for filmmaking, I cannot sugarcoat that its environment is harsh. I personally think that filmmakers should not be criticized for their film because little is known of how much work, effort, and time they put into it, and no one can really understand enough how much a filmmaker loves what he/she does. But I know that criticizing isn't gonna disappear and, in a way, it is needed. I want to know how, if you had been criticized for your work, you deal with it and how you react to other people judging your scripts? 

This is a great question. And before I write a bunch of answers - let me first say, I don't really know what I'm talking about. Sometimes I feel invincible, and sometimes criticism can wreck me. It's a strange thing. There have been times where people have slammed my work in a big way and I've handled it incredibly, and then other times I've had a conversation with my Brother where he says something like "Do you really think the line about the fish is worth having?" and I've gone a bit insane and convinced myself I should give up altogether; and what he said wasn't even criticism it was just a question about a fish. 

Another thing to remember is that even Shawshank Redemption has its critics. There are people out there that think it sucks. The difference is that when you're starting out, you don't have that buffer of success, accolades and dollars. You just have you, and people telling you you're terrible. But the critics are there every step of the way. But if you're getting criticism; you're doing something RIGHT. If nobody is criticising you, then you're probably not doing very good work. 

To be truly creative, is to do things that haven't be done before - or at least, to do them differently. So of course, when you're doing something that hasn't been seen before; people are initially uncomfortable with it and they like to criticise it. The problem is that, after you've heard criticism enough times, it becomes internalized in a really strong way. 


Think about it. You're a writer, or a director, or an actor. And from the age of four or whatever, you're made to do Maths. You're made to stand in line. But you wanna write a story or you want to do a little drawing. And pretty soon you're fourteen and people are saying "what do you want to do with your life?" and you can't say writer or artist or actor because people will laugh at you because it's not real work, or because it's too competitive, or whatever it is that your teachers/friends/society project onto it. 

Then you're eighteen -- and you're doing your drawings or making your short films or writing your stories; but you're shy about it, because society is telling you to learn more about Maths or go and do a degree with an 'ology' in it. Our society doesn't support creativity. Society thinks that if you're up at 4am writing down ideas, you've got a sleeping problem, they don't think that you've got a problem in act three or a problem getting the right shading on your drawing. 

So when everyone around you finds it hard to support you, you're going to find it hard to support yourself. Standing up and saying "I am a film director" is HARD. Everyone thinks you're insane, or dreaming. Worst of all, they see dreaming as bad!?!?! 

Every time I read a bad review it bothers me not because I think the critic is wrong but because secretly I think they're right. "How did the lady from the Bergen County Shopper's Guide get it right but not the guy from the New York Times." 
Creator of THE WEST WING, Writer of THE SOCIAL NETWORK

Meanwhile you want to write a movie about giraffes who land on Mars, or you want to be an actor even though you have a strange face, or you want to write a novel about flowers--- but you look around you and all the actors look like Megan Fox or Jude Law, and the people giving seminars say there's no market for Mars giraffes and your friends keep telling you only old people will read a book about flowers. 

The point is -- it's hard! We've been socialized this way and it is difficult. It's difficult for people to support what we do, because they don't understand, and because they wish they could do what you do, and because they can't comprehend how a book about flowers or a movie about giraffes that land on Mars will inspire people. THAT'S YOUR JOB. Your job is to show people the world through the eyes of you; you'll give them a different angle. That's what artists do. Make us see our lives in a different way, or help give us some release from our complicated jobs, relationships, and lives. 

People will criticise you and you'll criticise yourself. But then, so does everyone else. And you probably criticise people too in ways you don't even realise. Just remember; there will always be criticism. And people will always disagree with what you do, or have an opinion, right up until they point they love what you do. 

Care to share?

Thursday, 11 November 2010

Your Questions, My Answers!

The other day, I said a hello to all the new readers here by asking some questions as a way of getting to know you, and said that, if you had any questions for me, feel free to ask. And many of you did. So here are all your questions and hopefully some of my answers will be of interest! Thanks for the wonderful questions!

Sometimes I swear the melodrama will destroy me........
Two things, 1.your breaking in story, how you got to where you are, is it who you know, or talent that gets picked up these days? and 2. What inspires you? I need advice! Mine's dried up!!!

'Breaking in' is such a strange concept. I think believing in it immediately puts you on the outside; and you feel like you have to be extra special to smash through a wall to 'get in.' But in reality; there's just people making projects. And of course, it's hard to get involved in a big project when you're fifteen and living in Sweden or something. So you do what you can, maybe you make a little movie. And then it gets in a festival. And then you do a bigger film, and so on and so forth; and more and more doors open up... not because you have the magic password, but just because: you're doing the work. 

Industry secret: Most people can't be bothered to turn up in a freezing cold field at 3am to be on an unpaid film shoot. If you DO do it, people will like you. And their next project will pay 50 euros/dollars/pounds a day. And they'll still like you. And then on and on and so forth. It's about showing up, constantly working on your craft. Most (not all) actors and directors struggled MASSIVELY for a LONG time. That's what the journey is. Here's a quote from my interview with LAWRENCE SHER, who's now one of the best DOP's in the business; " The year that I made 'Kissing Jessica Stein' was one of the first years where I decided I would not do any more camera assisting even though that was basically how I was earning a living. What a miserable year, it was my only job all year and I think I made $7,000 on the whole movie. So, here I was, a 30 year old guy and I made $7,000 that year." 

Is it talent or who you know, you asked. Use whatever you've got. If you happen to know Spielberg, great! What a wonderful privilege! If you don't -- then use your talent. But make sure you use your talent; and you don't pander too much to someone else's idea of what your talent means, cause then you'll lose your focus. That's my experience at least. As for what inspires me; new experiences mainly. New places, new faces, new blog readers! :) Or just put a pretty girl in my life and get her to not reply to my messages and it'll give me enough angst to inspire three screenplay's...

Laura
Sorry if you've answered this in a post already... I haven't read through them all... but if you could've written any movie or acted in any movie... what would it be???

I'd love to have written 'The Apartment' - just because it's such a perfect screenplay. There are many technically perfect screenplay's, I guess, but The Apartment is some kind of magic -- it's just amazing how much joy I feel when reading it, and how beautifully it's put together. 

I'd like to have acted with Jimmy Stewart. Or Ginger Rogers. Actually-- no, most of all, I'd LOVE to have been in a scene with Mr. Chaplin. 

Xero
How different is what you are today from what you wanted to be/thought you would be as a child? Are you where you ultimately want to be or do you have a wish to climb higher?

I am where I want to be. I have bigger ambitions, of course; but I don't stress about them otherwise I'd be stressed all the time and feeling incomplete. As for the difference from when I was younger till now. I think my creative life, my writing and directing, is going the way I always hoped and expected--- but what's different is that, I find myself very interested in helping other people be creative. I don't mean by giving script notes or telling them what to do, because I have no idea--- but I like reminding people of how talented they are, and making them feel a bit better and more confident. Sometimes I can succeed in that! I'm not sure where it came from. 

Matt Zurcher
What's your favorite movie?

Cinema Paradiso. 

TB
I really don't know anything about you yet! Are you a working screenwriter? Have you written anything I would know? I love your blog so far! :)

Sorry to tell you this, but I'm not Charlie Kaufman. But I am a screenwriter. You probably haven't seen my work, but who knows? I was once standing outside a building in the Lower East Side, in Manhattan; after a screenwriting thing, and this girl came up to me, as she'd heard my name mentioned-- and she knew all about my film work and really loved it. But that's rare. I'm like one of those Bruce Springsteen bootleg's that only about twenty-six people own. Most people don't know he recorded them, but those that have them really like them! :)

ENZo
what i want to know about you? your least favorite movies. we may hate the same ones lol

The American Pie movies that came after the third one -- what were they thinking?!

Rhi
What do I want to know about you? I want you to answer those exact questions!

I knew someone would make me do this! ha

What is your favorite movie?

Cinema Paradiso. 

What is the movie that you secretly watch five times a year even though it's way too cheesy/terrible?

'You've Got Mail.' Or 'One Fine Day.'

What inspires you?

New York.

Castor
What do I want to know about you? Your blog is so inspirational day in and day out. Just keep up the good work Kid!

Wow - Thank You!!

Miki
What do I want to Know? Do you believe that the story or the actors make the movie? Just curious, heh

I think the story is the most important thing. Otherwise what's the point? There's a reason we don't go back very often to watch Tom Hanks in 'Joe Versus The Volcano.' 

T. Knowley
What would I like to know about you, What was the first movie you remember seeing in the theater as a kid and did you like it?

I don't have a good answer for this! Most writers and directors, when interviewed, have these amazing stories about being three months old and jumping out of their Mother's arms, stealing a car; and hiding out in a cinema watching French New Wave films. I don't have that, at all. I don't remember anything. I have no idea! And it bothers me!

Jess
What movies/shows do you hate?

Scrubs. I don't get it. 

CrazyStar180
I am working on that whole passionate part. I am just so lost right now trying to find my way... The one question I have for you is How did you become so passionate about movies?

I used to find it really exciting to sit in my room, in my early teens, and just watch movies non-stop. I just loved it all - I loved the stories, I loved seeing great acting, I loved laughing, I loved the shape of the frame, it just felt right to me. The rest of the world was all Math's book and girls who wouldn't talk to me and boys who were into smoking and I just didn't get it. But I got movies. They were important to me. 

Draven Ames
Your dreams and aspirations. Do you like horror?
 I like the layout of your blog and congratulations on being put in the spotlight! Wow! Surreal?

I would pretty much never choose to watch a horror. I do like them though! I just don't like bad ones. And I think most of them are bad. But it's not my thing. My dreams and aspirations; in regard to film; are to be like Woody Allen -- to be able to have a modest budget, year after year, and to be able to write and direct the projects I want to do. 

And yeah; it's surreal! my blog hits was in the hundreds each day, and suddenly it's in the thousands (I realise this boost is temporary) -- but I felt suddenly silenced! Like, eeeeeeeeeek - what the hell do I talk about? I'm sure all these masses of people won't want to read my weird stories about tea drinking

Roy Hutabarat
perspective, i guess.. since u surely won't give me some money.. hahaha, kidding.. perspective is what i'm looking for by blogging.. it helps me see thing in a better eyes..

My perspective is that we really suffocate when we think about money! Especially when it comes to creativity. 

Martin
I want to know if your as sick as me of all the latest hollywood garbage..i also dont really care how much the latest superhero film took ;]

I used to feel like that. But now, my perspective is a bit different. I don't really pay attention to a lot of the big releases. I mean, I'll take a look at a trailer and if I'm interested, I'll go. But, if there's a trailer for SAW 19, and it looks terrible; what does it have to do with me? Nothing. People will go and see SAW 26, just like they'll rot their teeth with Pepsi. We're human, we like dumb shit. But rather than lose sleep over it, the truth is that if you write an INCREDIBLE screenplay, or if you make a GENIUS low-budget movie; you'll be fine, people will respond to it. Look at 'Once,' look at 'In Search Of A Midnight Kiss' - they're not miracles, they're just pieces of art that people decided to make. 

Tim Riley
Question for Kid: What was your original plan when you started this blog?

Stimulate Photography
What made you start this blog?

I don't know if you can relate to this, but I find that; for anyone who's creative-- everyone always has an opinion, and it's often quite personal. If I see a plumber do a job; I don't really know whether it's particularly good or not. But if a Plumber sees a film I've made; he'll happily tell me I'm a useless sack of shit. Back when I started the blog-- I was tired of putting myself on the line; and I wanted a place where I could go back to the essence of being a little kid who was excited by the movies. And I wanted to write from that perspective, without my best friend telling me "your dialogue is a bit stiff" y'know? So that was my initial reason, I think. 

Cecilia 
Question for you: What was your favorite interview you've done?

Eeek - how can you make me choose? There's two really exciting ones coming up that I'll be posting very soon.....

But, let's see. Of the ones I've done. The four that are on the left side bar of this blog are probably my favorites. Scott Rosenberg is a real screenwriting hero for me. I think 'Beautiful Girls' is a perfect movie. And what I like about Scott is how he can talk about writing for Jerry Bruckheimer without any ego, or bullshit, he just explains things and you realise that Scott isn't a God, he's just a man. An extremely talented one. He's awesome. I hope you guys have seen his TV show October Road. It only lasted for two seasons but it's really wonderful.

Josh Malina and Giuseppe Sulfaro were great-- I love their work. Lawrence Sher is also brilliant. He also took the time to speak to me at length about my project, and he was full of advice and ideas.


--- Thank you all for the questions, I hope the answers are interesting! And feel free to join the Facebook Fan Page!

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